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Orsi, Lelio

Italian, approx. 1508-87 .Italian painter and draughtsman. A prominent Emilian artist of the mid-16th century, he was influenced by Correggio as well as by the late Mannerist style of Giulio Romano. His large-scale works seem to have been mainly secular decorations, notably illusionistic fa?ades, of which only fragments are extant. Their energy and expressiveness are apparent, however, in the surviving paintings of smaller dimensions. Orsi's sole documented architectural work is the Collegiata di S Stefano, Novellara

Orsi, Lelio The Walk to Emmaus painting


The Walk to Emmaus
The Walk to Emmaus
Painting ID::  19693
  1560-65 Oil on canvas National Gallery, London.
  1560-65 Oil on canvas National Gallery, London.

 

 
   
      

Orsi, Lelio

Italian, approx. 1508-87 .Italian painter and draughtsman. A prominent Emilian artist of the mid-16th century, he was influenced by Correggio as well as by the late Mannerist style of Giulio Romano. His large-scale works seem to have been mainly secular decorations, notably illusionistic fa?ades, of which only fragments are extant. Their energy and expressiveness are apparent, however, in the surviving paintings of smaller dimensions. Orsi's sole documented architectural work is the Collegiata di S Stefano, Novellara

Orsi, Lelio The Walk to Emmaus painting


The Walk to Emmaus
The Walk to Emmaus
Painting ID::  43027
  mk170 1560-1565 Oil on canvas 71.1x57.1cm
  mk170 1560-1565 Oil on canvas 71.1x57.1cm

 

 
   
      

Joseph von Fuhrich

(February 9, 1800 - March 13, 1876), Austrian painter, was born at Kratzau in Bohemia. Also known as Josef Ritter von F??hrich. Deeply impressed as a boy by rustic pictures adorning the wayside chapels of his native country, his first attempt at composition was a sketch of the Nativity for the festival of Christmas in his father's house. He lived to see the day when, becoming celebrated as a composer of scriptural episodes, his sacred subjects were transferred in numberless repetitions to the roadside churches of the Austrian state, where humble peasants thus learnt to admire modern art reviving the models of earlier ages. Fehrich has been fairly described as a Nazarene, a romantic religious artist whose pencil did more than any other to restore the old spirit of D??rer and give new shape to countless incidents of the gospel and scriptural legends. Without the power of Cornelius or the grace of Overbeck, he composed with great skill, especially in outline. His mastery of distribution, form, movement and expression was considerable. In its peculiar way his drapery was perfectly cast.

Joseph von Fuhrich The walk to Emmaus painting


The walk to Emmaus
The walk to Emmaus
Painting ID::  58884
  The walk to Emmaus, painted by Josef von F??hrich
  The walk to Emmaus, painted by Josef von F??hrich

 

 
   
      

Joseph von Fuhrich
(February 9, 1800 - March 13, 1876), Austrian painter, was born at Kratzau in Bohemia. Also known as Josef Ritter von F??hrich. Deeply impressed as a boy by rustic pictures adorning the wayside chapels of his native country, his first attempt at composition was a sketch of the Nativity for the festival of Christmas in his father's house. He lived to see the day when, becoming celebrated as a composer of scriptural episodes, his sacred subjects were transferred in numberless repetitions to the roadside churches of the Austrian state, where humble peasants thus learnt to admire modern art reviving the models of earlier ages. Fehrich has been fairly described as a Nazarene, a romantic religious artist whose pencil did more than any other to restore the old spirit of D??rer and give new shape to countless incidents of the gospel and scriptural legends. Without the power of Cornelius or the grace of Overbeck, he composed with great skill, especially in outline. His mastery of distribution, form, movement and expression was considerable. In its peculiar way his drapery was perfectly cast.
The walk to Emmaus
The walk to Emmaus, painted by Josef von F??hrich

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Related Paintings to Joseph von Fuhrich :.
| Portrat der Laura da Pola, Gemahlin des Febo da Brescia. | Portrait of Jeanne-Cecile Le Guay de Montgermon | The Tailor's Workshop | Bust of a woman with a feathered beret | Presentation of the Virgin in the Temple |


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