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Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Young Man Holding a Skull painting


Young Man Holding a Skull
Young Man Holding a Skull
Painting ID::  43153
   mk170 1626-1628 Oil on canvas 92.2x88cm
  mk170 1626-1628 Oil on canvas 92.2x88cm

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Young Man holding a Skull painting


Young Man holding a Skull
Young Man holding a Skull
Painting ID::  79060
   ca. 1626-1628 Medium Oil on canvas Dimensions 92.2 x 80.8 cm (36.3 x 31.8 in) cyf
  ca. 1626-1628 Medium Oil on canvas Dimensions 92.2 x 80.8 cm (36.3 x 31.8 in) cyf

 
 
   
      
Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Young Man holding a Skull
ca. 1626-1628 Medium Oil on canvas Dimensions 92.2 x 80.8 cm (36.3 x 31.8 in) cyf
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