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Camille Pissaro

1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.

Camille Pissaro Orchard in Bloom at Louveciennes painting


Orchard in Bloom at Louveciennes
Orchard in Bloom at Louveciennes
Painting ID::  4339
  1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
  1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC

 

 
   
      

Camille Pissaro

1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.

Camille Pissaro Orchard in Bloom at Louveciennes painting


Orchard in Bloom at Louveciennes
Orchard in Bloom at Louveciennes
Painting ID::  4340
  1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
  1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC

 

 
   
      

Camille Pissaro
1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
Orchard in Bloom at Louveciennes
1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC

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| Old man beguiled by courtesans | Evening Prayer in the Sahara | Animal Destinies : The Trees Show their Rings ; The Animals, their Veins | Children | Weaver Facing Left with Spinning Wheel (nn04) |


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