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Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
Edgar Degas Dance have a break painting


Dance have a break
Dance have a break
Painting ID::  49993
   mk206 about 1896 Oil on canvas 51x40cm
  mk206 about 1896 Oil on canvas 51x40cm

 
 
   
      

Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
Edgar Degas Dance have a break painting


Dance have a break
Dance have a break
Painting ID::  49995
   mk206 1897-1901 Oil on canvas 65.4x77.5cm
  mk206 1897-1901 Oil on canvas 65.4x77.5cm

 
 
   
      
Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
Dance have a break
mk206 1897-1901 Oil on canvas 65.4x77.5cm
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| Elephant (mk34) | Christ | Daniel Boone Escorting Settlers through the Cumberland Gap | Portrat der Mme Cezanne in rotem Lehnstuhl | Mother and son |

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