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Juan Gris

1887-1927 Born in Madrid, he studied mechanical drawing at the Escuela de Artes y Manufacturas in Madrid from 1902 to 1904, during which time he contributed drawings to local periodicals. From 1904 to 1905 he studied painting with the academic artist Jose Maria Carbonero. In 1906 he moved to Paris and became friends with Henri Matisse, Georges Braque, Fernand Leger, and in 1915 he was painted by his friend, Amedeo Modigliani. In Paris, Gris followed the lead of another friend and fellow countryman, Pablo Picasso. His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Georges Braque. (Although he regarded Picasso as a teacher, Gertrude Stein acknowledged that Gris "was the one person that Picasso would have willingly wiped off the map.") Portrait of Picasso, 1912, The Art Institute of Chicago.Although he submitted darkly humorous illustrations to journals such as Le Rire, L'assiette au beurre, Le Charivari, and Le Cri de Paris, Gris began to paint seriously in 1910. By 1912 he had developed a personal Cubist style. At first Gris painted in the analytic style of Cubism, but after 1913 he began his conversion to synthetic Cubism, of which he became a steadfast interpreter, with extensive use of papier coll??. Unlike Picasso and Braque, whose Cubist works were monochromatic, Gris painted with bright harmonious colors in daring, novel combinations in the manner of his friend Matisse. In 1924, he first designed ballet sets and costumes for Sergei Diaghilev and the famous Ballets Russes. Gris articulated most of his aesthetic theories during 1924 and 1925. He delivered his definitive lecture, Des possibilit??s de la peinture, at the Sorbonne in 1924. Major Gris exhibitions took place at the Galerie Simon in Paris and the Galerie Flechtheim in Berlin in 1923, and at the Galerie Flechtheim in D??sseldorf in 1925. He died in Boulogne-sur-Seine (Paris) in the spring of 1927 at the age of forty, leaving a wife, Josette, and a son, Georges.
Juan Gris Girl painting


Girl
Girl
Painting ID::  36551
   mk112 1916 92x60cm
  mk112 1916 92x60cm

 
 
   
      

Filip Andreevich Malyavin

Russian, 1869-1940
Filip Andreevich Malyavin Girl painting


Girl
Girl
Painting ID::  37216
   mk120 1903 206.3x115.6cm
  mk120 1903 206.3x115.6cm

 
 
   
      

Filip Andreevich Malyavin

Russian, 1869-1940
Filip Andreevich Malyavin Girl painting


Girl
Girl
Painting ID::  37219
   mk120 1903 Oil on canvas 206.3x115.6cm
  mk120 1903 Oil on canvas 206.3x115.6cm

 
 
   
      

Filip Andreevich Malyavin

Russian, 1869-1940
Filip Andreevich Malyavin Girl painting


Girl
Girl
Painting ID::  37220
   mk120
  mk120

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50366
   mk211 1923 Oil on canvas 53.3x53.3cm
  mk211 1923 Oil on canvas 53.3x53.3cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50380
   mk211 Oil on canvas 53.9x40.6cm
  mk211 Oil on canvas 53.9x40.6cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50382
   mk211 Oil on canvas 76.2x48.3cm
  mk211 Oil on canvas 76.2x48.3cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50383
   mk211 Oil on canvas 60.9x50.8cm
  mk211 Oil on canvas 60.9x50.8cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50402
   mk211 1933 Oil on canvas 63.5x50.8cm
  mk211 1933 Oil on canvas 63.5x50.8cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50405
   mk211 Oil on canvas 50.8x40.6cm
  mk211 Oil on canvas 50.8x40.6cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50411
   mk211 1936 Oil on canvas 60.9x50.8cm
  mk211 1936 Oil on canvas 60.9x50.8cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50415
   mk211 Oil on canvas 30.5x25.4cm
  mk211 Oil on canvas 30.5x25.4cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50420
   mk211 1938 Oil on canvas 50.8x40.6cm
  mk211 1938 Oil on canvas 50.8x40.6cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50421
   mk211 1938 Oil on canvas
  mk211 1938 Oil on canvas

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50422
   mk211 c.1940 Oil on canvas
  mk211 c.1940 Oil on canvas

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50433
   mk211 1930-1940 42.2x35cm
  mk211 1930-1940 42.2x35cm

 
 
   
      

Nikolay Fechin

Russian, 1881-1955
Nikolay Fechin Girl painting


Girl
Girl
Painting ID::  50435
   mk211 charcoal
  mk211 charcoal

 
 
   
      

Robert Henri

1865-1929 Robert Henri was born Robert Henry Cozad in Miami, Florida to Theresa Gatewood Cozad of Malden, Virginia and John Jackson Cozad, a gambler and real estate developer. Henri had a brother, Johnny, and was a distant cousin of the noted American painter Mary Cassatt. In 1871, Henri's father founded the town of Cozaddale, Ohio. In 1873, the family moved west to Nebraska, where they founded the town of Cozad. In October 1882, Henri's father became embroiled in a dispute with a rancher, Alfred Pearson, over the right to pasture cattle on land claimed by the family. When the dispute turned physical, Cozad shot Pearson fatally with a pistol. Cozad was eventually cleared of wrongdoing, but the mood of the town turned against him. He fled to Denver, Colorado, and the rest of the family followed shortly. In order to disassociate themselves from the scandal, family members changed their names. The father became known as Richard Henry Lee, and his sons posed as adopted children under the names Frank Southern and Robert Earl Henri (pronounced "hen rye"). In 1883, the family moved to New York City, then to Atlantic City, New Jersey, where the young artist completed his first paintings.
Robert Henri Girl painting


Girl
Girl
Painting ID::  50582
   mk212 oil on canvas 32x26in
  mk212 oil on canvas 32x26in

 
 
   
      

VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
VELAZQUEZ, Diego Rodriguez de Silva y Girl painting


Girl
Girl
Painting ID::  54757
   mk237 1640 Oil on canvas 51.5x41cm
  mk237 1640 Oil on canvas 51.5x41cm

 
 
   
      

VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
VELAZQUEZ, Diego Rodriguez de Silva y Girl painting


Girl
Girl
Painting ID::  54812
   mk237 1618 15x11.7cm
  mk237 1618 15x11.7cm

 
 
   
      

VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
VELAZQUEZ, Diego Rodriguez de Silva y Girl painting


Girl
Girl
Painting ID::  54813
   mk237 20x13.3cm
  mk237 20x13.3cm

 
 
   
      

Edvard Munch

Norwegian 1863-1944 Edvard Munch Locations Edvard Munch (pronounced , December 12, 1863 ?C January 23, 1944) was a Norwegian Symbolist painter, printmaker, and an important forerunner of expressionistic art. His best-known composition, The Scream is one of the pieces in a series titled The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholy. Edvard Munch was born in a rustic farmhouse in the village of Adalsbruk in Loten, Norway to Christian Munch, the son of a prominent priest. Christian was a doctor and medical officer, who married Laura Cathrine Bjølstad, a woman half his age, in 1861. Edvard had an older sister, Johanne Sophie (born 1862), and three younger siblings: Peter Andreas (born 1865), Laura Cathrine (born 1867), and Inger Marie (born 1868). Both Sophie and Edvard appear to have gotten their art talent from their mother. Edvard Munch was related to painter Jacob Munch (1776?C1839) and historian Peter Andreas Munch (1810?C1863). The family moved to Kristiania (now Oslo) in 1864 when Christian Munch was appointed medical officer at Akershus Fortress. Edvard??s mother died of tuberculosis in 1868, as did Munch's favorite sister Johanne Sophie in 1877. After their mother's death, the Munch siblings were raised by their father and by their aunt Karen. Often ill for much of the winters and kept out of school, Edvard would draw to keep himself occupied. He also received tutoring from his school mates and his aunt. Christian Munch also instructed his son in history and literature, and entertained the children with vivid ghost stories and tales of Edgar Allan Poe. Christian??s positive behavior toward his children, however, was overshadowed by his morbid pietism. Munch wrote, ??My father was temperamentally nervous and obsessively religious??to the point of psychoneurosis. From him I inherited the seeds of madness. The angles of fear, sorrow, and death stood by my side since the day I was born.?? Christian reprimanded his children by telling them that their mother was looking down from heaven and grieving over their misbehavior. The oppressive religious milieu, plus Edvard??s poor health and the vivid ghost stories, helped inspire macabre visions and nightmares in Edvard, who felt death constantly advancing on him. One of Munch's younger sisters was diagnosed with mental illness at an early age. Of the five siblings only Andreas married, but he died a few months after the wedding. Munch would later write, "I inherited two of mankind's most frightful enemies??the heritage of consumption and insanity." Christian Munch??s military pay was very low, and his attempts at developing a private side practice failed, keeping his family in perrenial poverty. They moved frequently from one sordid flat to another. Munch??s early drawings and watercolors depicted these interiors, and the individual objects such as medicine bottles and drawing implements, plus some landscapes. By his teens, art dominated Munch??s interests. At thirteen, Munch has his first exposure to other artists at the newly formed Art Association, were he admired the work of the Norwegian landscape school, and where he returned to copy the paintings, and soon he began to paint in oils.
Edvard Munch Girl painting


Girl
Girl
Painting ID::  55430
   mk241 1922 Oil on canvas 81x65cm
  mk241 1922 Oil on canvas 81x65cm

 
 
   
      

Edvard Munch

Norwegian 1863-1944 Edvard Munch Locations Edvard Munch (pronounced , December 12, 1863 ?C January 23, 1944) was a Norwegian Symbolist painter, printmaker, and an important forerunner of expressionistic art. His best-known composition, The Scream is one of the pieces in a series titled The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholy. Edvard Munch was born in a rustic farmhouse in the village of Adalsbruk in Loten, Norway to Christian Munch, the son of a prominent priest. Christian was a doctor and medical officer, who married Laura Cathrine Bjølstad, a woman half his age, in 1861. Edvard had an older sister, Johanne Sophie (born 1862), and three younger siblings: Peter Andreas (born 1865), Laura Cathrine (born 1867), and Inger Marie (born 1868). Both Sophie and Edvard appear to have gotten their art talent from their mother. Edvard Munch was related to painter Jacob Munch (1776?C1839) and historian Peter Andreas Munch (1810?C1863). The family moved to Kristiania (now Oslo) in 1864 when Christian Munch was appointed medical officer at Akershus Fortress. Edvard??s mother died of tuberculosis in 1868, as did Munch's favorite sister Johanne Sophie in 1877. After their mother's death, the Munch siblings were raised by their father and by their aunt Karen. Often ill for much of the winters and kept out of school, Edvard would draw to keep himself occupied. He also received tutoring from his school mates and his aunt. Christian Munch also instructed his son in history and literature, and entertained the children with vivid ghost stories and tales of Edgar Allan Poe. Christian??s positive behavior toward his children, however, was overshadowed by his morbid pietism. Munch wrote, ??My father was temperamentally nervous and obsessively religious??to the point of psychoneurosis. From him I inherited the seeds of madness. The angles of fear, sorrow, and death stood by my side since the day I was born.?? Christian reprimanded his children by telling them that their mother was looking down from heaven and grieving over their misbehavior. The oppressive religious milieu, plus Edvard??s poor health and the vivid ghost stories, helped inspire macabre visions and nightmares in Edvard, who felt death constantly advancing on him. One of Munch's younger sisters was diagnosed with mental illness at an early age. Of the five siblings only Andreas married, but he died a few months after the wedding. Munch would later write, "I inherited two of mankind's most frightful enemies??the heritage of consumption and insanity." Christian Munch??s military pay was very low, and his attempts at developing a private side practice failed, keeping his family in perrenial poverty. They moved frequently from one sordid flat to another. Munch??s early drawings and watercolors depicted these interiors, and the individual objects such as medicine bottles and drawing implements, plus some landscapes. By his teens, art dominated Munch??s interests. At thirteen, Munch has his first exposure to other artists at the newly formed Art Association, were he admired the work of the Norwegian landscape school, and where he returned to copy the paintings, and soon he began to paint in oils.
Edvard Munch Girl painting


Girl
Girl
Painting ID::  55463
   mk241 1898 oil on canvas
  mk241 1898 oil on canvas

 
 
   
      

Edvard Munch

Norwegian 1863-1944 Edvard Munch Locations Edvard Munch (pronounced , December 12, 1863 ?C January 23, 1944) was a Norwegian Symbolist painter, printmaker, and an important forerunner of expressionistic art. His best-known composition, The Scream is one of the pieces in a series titled The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholy. Edvard Munch was born in a rustic farmhouse in the village of Adalsbruk in Loten, Norway to Christian Munch, the son of a prominent priest. Christian was a doctor and medical officer, who married Laura Cathrine Bjølstad, a woman half his age, in 1861. Edvard had an older sister, Johanne Sophie (born 1862), and three younger siblings: Peter Andreas (born 1865), Laura Cathrine (born 1867), and Inger Marie (born 1868). Both Sophie and Edvard appear to have gotten their art talent from their mother. Edvard Munch was related to painter Jacob Munch (1776?C1839) and historian Peter Andreas Munch (1810?C1863). The family moved to Kristiania (now Oslo) in 1864 when Christian Munch was appointed medical officer at Akershus Fortress. Edvard??s mother died of tuberculosis in 1868, as did Munch's favorite sister Johanne Sophie in 1877. After their mother's death, the Munch siblings were raised by their father and by their aunt Karen. Often ill for much of the winters and kept out of school, Edvard would draw to keep himself occupied. He also received tutoring from his school mates and his aunt. Christian Munch also instructed his son in history and literature, and entertained the children with vivid ghost stories and tales of Edgar Allan Poe. Christian??s positive behavior toward his children, however, was overshadowed by his morbid pietism. Munch wrote, ??My father was temperamentally nervous and obsessively religious??to the point of psychoneurosis. From him I inherited the seeds of madness. The angles of fear, sorrow, and death stood by my side since the day I was born.?? Christian reprimanded his children by telling them that their mother was looking down from heaven and grieving over their misbehavior. The oppressive religious milieu, plus Edvard??s poor health and the vivid ghost stories, helped inspire macabre visions and nightmares in Edvard, who felt death constantly advancing on him. One of Munch's younger sisters was diagnosed with mental illness at an early age. Of the five siblings only Andreas married, but he died a few months after the wedding. Munch would later write, "I inherited two of mankind's most frightful enemies??the heritage of consumption and insanity." Christian Munch??s military pay was very low, and his attempts at developing a private side practice failed, keeping his family in perrenial poverty. They moved frequently from one sordid flat to another. Munch??s early drawings and watercolors depicted these interiors, and the individual objects such as medicine bottles and drawing implements, plus some landscapes. By his teens, art dominated Munch??s interests. At thirteen, Munch has his first exposure to other artists at the newly formed Art Association, were he admired the work of the Norwegian landscape school, and where he returned to copy the paintings, and soon he began to paint in oils.
Edvard Munch Girl painting


Girl
Girl
Painting ID::  55474
   mk241 1899 46.2x59.2cm
  mk241 1899 46.2x59.2cm

 
 
   
      

Gustave Courbet

1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.
Gustave Courbet Girl painting


Girl
Girl
Painting ID::  55514
   mk242 1851
  mk242 1851

 
 
   
      
Gabriel Lory fils Girl painting


Girl
Girl
Painting ID::  74395
   Oil on canavs, 49 X 40 cm cyf
  Oil on canavs, 49 X 40 cm cyf

 
 
   
      
Gabriel Lory fils
1784-1846
Girl
Oil on canavs, 49 X 40 cm cyf
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