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Carlo Crivelli

1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
Carlo Crivelli the vision of the blessed gabriele painting


the vision of the blessed gabriele
the vision of the blessed gabriele
Painting ID::  55974
   mk247 c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk
  mk247 c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk

 
 
   
      
Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
the vision of the blessed gabriele
mk247 c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk
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Related Paintings to Carlo Crivelli :.
| Maria Maddalena | Self-Portrait with a shell | Forging of the Sampo | A Priestess | A View of CapeStephens in Cook Strait,New Zealand,with Waterspout |

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