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Cimabue

Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
Cimabue Notre Dame, dignified with the surrounding El Angel 6 painting


Notre Dame, dignified with the surrounding El Angel 6
Notre Dame, dignified with the surrounding El Angel 6
Painting ID::  57223
   mk255 in 1280 tempera painting dye, golden bottom color, Yang lignin high approximately 4.27 meter width 2.80 meter Paris, Louvre
  mk255 in 1280 tempera painting dye, golden bottom color, Yang lignin high approximately 4.27 meter width 2.80 meter Paris, Louvre

 
 
   
      
Cimabue
Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
Notre Dame, dignified with the surrounding El Angel 6
mk255 in 1280 tempera painting dye, golden bottom color, Yang lignin high approximately 4.27 meter width 2.80 meter Paris, Louvre
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| Double Portrait of Sir Thomas Godsalve and His Son John | The Bois de Boulogne with People Walking (nn04) | Classical hunting fox, Equestrian and Beautiful Horses, 173. | motiv fran strangnas | Sunset on the Coast |

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