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Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

Caravaggio The Calling of Saint Matthew (detail) urt painting


The Calling of Saint Matthew (detail) urt
The Calling of Saint Matthew (detail) urt
Painting ID::  5750
  1599-1600 Oil on canvas, width of detail: 92 cm Contarelli Chapel, San Luigi dei Francesi, Rome
  1599-1600 Oil on canvas, width of detail: 92 cm Contarelli Chapel, San Luigi dei Francesi, Rome

 

 
   
      

Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
The Calling of Saint Matthew (detail) urt
1599-1600 Oil on canvas, width of detail: 92 cm Contarelli Chapel, San Luigi dei Francesi, Rome

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