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Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
Henri Fantin-Latour Around the Table painting


Around the Table
Around the Table
Painting ID::  11177
   1872(Salon of 1872) 5' 3'' x 7' 4 1/2 (160 x 225 cm) Gift of Leon-Emile Petit-Didier and Mrs.Blemont,1910
  1872(Salon of 1872) 5' 3'' x 7' 4 1/2 (160 x 225 cm) Gift of Leon-Emile Petit-Didier and Mrs.Blemont,1910

 
 
   
      

Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
Henri Fantin-Latour Around the Table painting


Around the Table
Around the Table
Painting ID::  58799
   Around the Table (Writers), 1872.
  Around the Table (Writers), 1872.

 
 
   
      
Henri Fantin-Latour
French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
Around the Table
Around the Table (Writers), 1872.
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