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CIMA da Conegliano

Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
CIMA da Conegliano The Madonna and Child with St John the Baptist and Mary Magdalen dfg painting


The Madonna and Child with St John the Baptist and Mary Magdalen dfg
The Madonna and Child with St John the Baptist and Mary Magdalen dfg
Painting ID::  6032
   1510-15 Wood, 167 x 110 cm Mus??e du Louvre, Paris
  1510-15 Wood, 167 x 110 cm Mus??e du Louvre, Paris

 
 
   
      
CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
The Madonna and Child with St John the Baptist and Mary Magdalen dfg
1510-15 Wood, 167 x 110 cm Mus??e du Louvre, Paris
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Related Paintings to CIMA da Conegliano :.
| Closed view, back panels | Man with a Pink Carnation | The Forge | Procession | Gulph of Carpentaria |

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