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Theodore Gericault

French Romantic Painter, 1791-1824 was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement. Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guerin, a rigorous classicist who disapproved of his student's impulsive temperament, but recognized his talent.[1] Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Velezquez, and Rembrandt for about six years, from 1810 to 1815.
Theodore Gericault The Epsom Derby painting


The Epsom Derby
The Epsom Derby
Painting ID::  33860
   mk87 1821 Oil on canvas 92x123cm Paris,Musee National du Louvre
  mk87 1821 Oil on canvas 92x123cm Paris,Musee National du Louvre

 
 
   
      

Theodore Gericault

French Romantic Painter, 1791-1824 was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement. Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guerin, a rigorous classicist who disapproved of his student's impulsive temperament, but recognized his talent.[1] Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Velezquez, and Rembrandt for about six years, from 1810 to 1815.
Theodore Gericault The Epsom Derby painting


The Epsom Derby
The Epsom Derby
Painting ID::  62847
   1821 Oil on canvas, 92 x 122 cm Musee du Louvre, Paris Painted in 1821, during Gericault's stay in London, the canvas takes its inspiration from English sporting prints, which frequently depict horses at the 'flying gallop' shown by the painter here. The invention of photography, by allowing the various movements of a galloping animal to be analysed, would allow it to be painted accurately, as Degas was to do in his Race-course paintings. Artist: GeRICAULT, Theodore Title: The Epsom Derby , painting Date: 1801-1850 French : other
  1821 Oil on canvas, 92 x 122 cm Musee du Louvre, Paris Painted in 1821, during Gericault's stay in London, the canvas takes its inspiration from English sporting prints, which frequently depict horses at the 'flying gallop' shown by the painter here. The invention of photography, by allowing the various movements of a galloping animal to be analysed, would allow it to be painted accurately, as Degas was to do in his Race-course paintings. Artist: GeRICAULT, Theodore Title: The Epsom Derby , painting Date: 1801-1850 French : other

 
 
   
      

Theodore Gericault

French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
Theodore Gericault The Epsom Derby painting


The Epsom Derby
The Epsom Derby
Painting ID::  92039
   1821(1821) Medium oil on canvas cyf
  1821(1821) Medium oil on canvas cyf

 
 
   
      
Theodore Gericault
French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
The Epsom Derby
1821(1821) Medium oil on canvas cyf
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| Christ supported by two cherubs supporting a Cero | Study of Peach tree | Waterloo Bridge | Garden in Haminanlathi | Street in Nassau |

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