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Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.

Frederic E.Church View of Cotopaxi painting


View of Cotopaxi
View of Cotopaxi
Painting ID::  26206
  mk48 1857 Oil on canvas 24 1/2x36 1/2in The Art Institute of Chicago,Gift of Jennette Hamlin in Memory of Mr.and Mrs.Louis Dana Webster
  mk48 1857 Oil on canvas 24 1/2x36 1/2in The Art Institute of Chicago,Gift of Jennette Hamlin in Memory of Mr.and Mrs.Louis Dana Webster

 

 
   
      

Frederic Edwin Church

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour

Frederic Edwin Church View of Cotopaxi painting


View of Cotopaxi
View of Cotopaxi
Painting ID::  72338
  "View of Cotopaxi," oil on canvas, by the American artist Frederic Edwin Church. 11 in. x 18 in. Yale University Art Gallery, given by Miss Annette I. Young in memory of Professor D. Cady Eaton and Mr. Innis Young. Courtesy of Yale University, New Haven, Conn. cjr
  "View of Cotopaxi," oil on canvas, by the American artist Frederic Edwin Church. 11 in. x 18 in. Yale University Art Gallery, given by Miss Annette I. Young in memory of Professor D. Cady Eaton and Mr. Innis Young. Courtesy of Yale University, New Haven, Conn. cjr

 

 
   
      

Frederick Edwin Church

1826-1900 Frederick Edwin Church Galleries Frederic Edwin Church (May 4, 1826 ?C April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters. While committed to the natural sciences, he was "always concerned with including a spiritual dimension in his works". The family wealth came from Church's father, Joseph Church, a silversmith and watchmaker in Hartford, Connecticut.(Joseph subsequently also became an official and a director of The Aetna Life Insurance Company) Joseph, in turn, was the son of Samuel Church, who founded the first paper mill in Lee, Massachusetts in the Berkshires, and this allowed him(Frederic) to pursue his interest in art from a very early age. At eighteen years of age, Church became the pupil of Thomas Cole in Catskill, New York after Daniel Wadsworth, a family neighbor and founder of the Wadsworth Atheneum, introduced the two. In May 1848, Church was elected as the youngest Associate of the National Academy of Design and was promoted to Academician the following year. Soon after, he sold his first major work to Hartford's Wadsworth Atheneum. Church settled in New York where he taught his first pupil, William James Stillman. From the spring to autumn each year Church would travel, often by foot, sketching. He returned each winter to paint and to sell his work. Between 1853 and 1857, Church traveled in South America, financed by businessman Cyrus West Field, who wished to use Church's paintings to lure investors to his South American ventures. Church was inspired by the Prussian explorer Alexander von Humboldt's Cosmos and his exploration of the continent; Humboldt had challenged artists to portray the "physiognomy" of the Andes.

Frederick Edwin Church View of Cotopaxi painting


View of Cotopaxi
View of Cotopaxi
Painting ID::  73243
  oil on canvas, by the American artist Frederic Edwin Church. 62.2 cm x 92.7 cm (24 1/2 in. x 36 1/2 in.) Courtesy of the Art Institute of Chicago, Chicago, Illinois. Date 1857(1857) cyf
  oil on canvas, by the American artist Frederic Edwin Church. 62.2 cm x 92.7 cm (24 1/2 in. x 36 1/2 in.) Courtesy of the Art Institute of Chicago, Chicago, Illinois. Date 1857(1857) cyf

 

 
   
      

Frederic Edwin Church

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour

Frederic Edwin Church View of Cotopaxi painting


View of Cotopaxi
View of Cotopaxi
Painting ID::  73946
  oil on canvas, by the American artist Frederic Edwin Church. 11 in. x 18 in Date 1867 cyf
  oil on canvas, by the American artist Frederic Edwin Church. 11 in. x 18 in Date 1867 cyf

 

 
   
      

Frederic Edwin Church
American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
View of Cotopaxi
oil on canvas, by the American artist Frederic Edwin Church. 11 in. x 18 in Date 1867 cyf

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Related Paintings to Frederic Edwin Church :.
| Our Lady of the Son and the sleeping | mountainous landscape with horsemen and travellers crossing a bridge. | In an English Garden | Miss Florence Griswald's Garden | Man of New Caledonia |


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