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unknow artist View of a Field painting


View of a Field
View of a Field
Painting ID::  72167
   between 1850(1850) and 1855(1855) Oil on paper 16.8 X 31.3 cm (6.61 X 12.32 in)
  between 1850(1850) and 1855(1855) Oil on paper 16.8 X 31.3 cm (6.61 X 12.32 in)

 
 
   
      

Rosa Bonheur

1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .
Rosa Bonheur View of a Field painting


View of a Field
View of a Field
Painting ID::  73784
   Date between 1850(1850) and 1855(1855) Medium Oil on paper Dimensions 16.8 X 31.3 cm (6.61 X 12.32 in) cyf
  Date between 1850(1850) and 1855(1855) Medium Oil on paper Dimensions 16.8 X 31.3 cm (6.61 X 12.32 in) cyf

 
 
   
      
Rosa Bonheur
1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .
View of a Field
Date between 1850(1850) and 1855(1855) Medium Oil on paper Dimensions 16.8 X 31.3 cm (6.61 X 12.32 in) cyf
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Related Paintings to Rosa Bonheur :.
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