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unknow artist Portrait of Queen Mariana de Austria as a Widow painting


Portrait of Queen Mariana de Austria as a Widow
Portrait of Queen Mariana de Austria as a Widow
Painting ID::  75894
   1669(1669) Oil on canvas 211 ?? 125 cm (83.1 ?? 49.2 in) cjr
  1669(1669) Oil on canvas 211 ?? 125 cm (83.1 ?? 49.2 in) cjr

 
 
   
      
unknow artist Portrait of Queen Mariana de Austria as a Widow painting


Portrait of Queen Mariana de Austria as a Widow
Portrait of Queen Mariana de Austria as a Widow
Painting ID::  75991
   1673(1673) Oil on canvas 196.5 ?? 123.5 cm (77.4 ?? 48.6 in) cjr
  1673(1673) Oil on canvas 196.5 ?? 123.5 cm (77.4 ?? 48.6 in) cjr

 
 
   
      

Miranda, Juan Carreno de

Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
Miranda, Juan Carreno de Portrait of Queen Mariana de Austria as a Widow painting


Portrait of Queen Mariana de Austria as a Widow
Portrait of Queen Mariana de Austria as a Widow
Painting ID::  77926
   Date 1673(1673) Medium Oil on canvas Dimensions 196.5 ?? 123.5 cm (77.4 ?? 48.6 in) cyf
  Date 1673(1673) Medium Oil on canvas Dimensions 196.5 ?? 123.5 cm (77.4 ?? 48.6 in) cyf

 
 
   
      

Miranda, Juan Carreno de

Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
Miranda, Juan Carreno de Portrait of Queen Mariana de Austria as a Widow painting


Portrait of Queen Mariana de Austria as a Widow
Portrait of Queen Mariana de Austria as a Widow
Painting ID::  81483
   1669(1669) Medium Oil on canvas Dimensions 211 x 125 cm (83.1 x 49.2 in) cyf
  1669(1669) Medium Oil on canvas Dimensions 211 x 125 cm (83.1 x 49.2 in) cyf

 
 
   
      
Miranda, Juan Carreno de
Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
Portrait of Queen Mariana de Austria as a Widow
1669(1669) Medium Oil on canvas Dimensions 211 x 125 cm (83.1 x 49.2 in) cyf
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