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unknow artist Portrait of Catherine II of Russia painting


Portrait of Catherine II of Russia
Portrait of Catherine II of Russia
Painting ID::  75912
  1762(1762) Oil on canvas 245 ?? 176 cm (96.5 ?? 69.3 in) cjr
  1762(1762) Oil on canvas 245 ?? 176 cm (96.5 ?? 69.3 in) cjr

 

 
   
      

Ivan Argunov

Russian Rococo Era Painter , 1727/1729-1802 Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.

Ivan Argunov Portrait of Catherine II of Russia painting


Portrait of Catherine II of Russia
Portrait of Catherine II of Russia
Painting ID::  77710
  1762(1762) Medium Oil on canvas Dimensions 245 ?? 176 cm (96.5 ?? 69.3 in) cyf
  1762(1762) Medium Oil on canvas Dimensions 245 ?? 176 cm (96.5 ?? 69.3 in) cyf

 

 
   
      

Ivan Argunov
Russian Rococo Era Painter , 1727/1729-1802 Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
Portrait of Catherine II of Russia
1762(1762) Medium Oil on canvas Dimensions 245 ?? 176 cm (96.5 ?? 69.3 in) cyf

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