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Albrecht Altdorfer

German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
Albrecht Altdorfer Mary with the Child painting


Mary with the Child
Mary with the Child
Painting ID::  76657
   between 1520(1520) and 1525(1525) wood 35.5 cm (14 in). Height: 49.4 cm (19.4 in). cjr
  between 1520(1520) and 1525(1525) wood 35.5 cm (14 in). Height: 49.4 cm (19.4 in). cjr

 
 
   
      

Albrecht Altdorfer

German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
Albrecht Altdorfer Mary with the Child painting


Mary with the Child
Mary with the Child
Painting ID::  78438
   between 1520(1520) and 1525(1525) Medium wood Dimensions Width: 35.5 cm (14 in). Height: 49.4 cm (19.4 in). cyf
  between 1520(1520) and 1525(1525) Medium wood Dimensions Width: 35.5 cm (14 in). Height: 49.4 cm (19.4 in). cyf

 
 
   
      

Piero Pollaiuolo

(c. 1443 - 1496), also known as Piero Benci, was an Italian Renaissance painter from Florence. His brother was the artist Antonio del Pollaiolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. He died in Rome in 1496.
Piero Pollaiuolo Mary with the Child painting


Mary with the Child
Mary with the Child
Painting ID::  85894
   Date between 1470(1470) and 1473(1473) Medium tempera and Oil on canvas Dimensions Height: 73 cm (28.7 in). Width: 54 cm (21.3 in). (oval) cjr
  Date between 1470(1470) and 1473(1473) Medium tempera and Oil on canvas Dimensions Height: 73 cm (28.7 in). Width: 54 cm (21.3 in). (oval) cjr

 
 
   
      

Andrea del Verrocchio

Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.
Andrea del Verrocchio Mary with the Child painting


Mary with the Child
Mary with the Child
Painting ID::  86814
   Date 15th cent. Medium Oil on poplar Dimensions Height: 67.3 cm (26.5 in). Width: 49.4 cm (19.4 in). cjr
  Date 15th cent. Medium Oil on poplar Dimensions Height: 67.3 cm (26.5 in). Width: 49.4 cm (19.4 in). cjr

 
 
   
      

Piero Pollaiuolo

(c. 1443 - 1496), also known as Piero Benci, was an Italian Renaissance painter from Florence. His brother was the artist Antonio del Pollaiolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. He died in Rome in 1496.
Piero Pollaiuolo Mary with the Child painting


Mary with the Child
Mary with the Child
Painting ID::  90047
   between 1470(1470) and 1473(1473) Medium tempera and oil on canvas Dimensions Height: 73 cm (28.7 in). Width: 54 cm (21.3 in). (oval) cyf
  between 1470(1470) and 1473(1473) Medium tempera and oil on canvas Dimensions Height: 73 cm (28.7 in). Width: 54 cm (21.3 in). (oval) cyf

 
 
   
      
Piero Pollaiuolo
(c. 1443 - 1496), also known as Piero Benci, was an Italian Renaissance painter from Florence. His brother was the artist Antonio del Pollaiolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. He died in Rome in 1496.
Mary with the Child
between 1470(1470) and 1473(1473) Medium tempera and oil on canvas Dimensions Height: 73 cm (28.7 in). Width: 54 cm (21.3 in). (oval) cyf
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