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Anthony Van Dyck

Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

Anthony Van Dyck Portrait of a Noblewoman painting


Portrait of a Noblewoman
Portrait of a Noblewoman
Painting ID::  28851
  mk65 Oil on paper glued on canvas 13 3/8x10 5/8in
  mk65 Oil on paper glued on canvas 13 3/8x10 5/8in

 

 
   
      

MORONI, Giovanni Battista

Italian Mannerist Painter, ca.1520-1578 .Italian painter. He was the most significant painter of the 16th-century school of Bergamo and is best known for his portraits, which feature a naturalistic rendering of both faces and costume and an objective approach to character.

MORONI, Giovanni Battista Portrait of a Noblewoman painting


Portrait of a Noblewoman
Portrait of a Noblewoman
Painting ID::  29906
  mk67 Oil on canvas 20 7/8x17 15/16in Pitti,Palatine Gallery
  mk67 Oil on canvas 20 7/8x17 15/16in Pitti,Palatine Gallery

 

 
   
      

Pier Francesco Guala

(15 September 1698 - 27 February 1757), also known as Pierfrancesco and Pietro Francesco, was an eighteenth-century Italian painter active for the most part in the region of his place of birth, Casale Monferrato. Guala was the seventh of eight siblings of whom only he and a sister survived infancy. His mother died when he was five and he was brought up by his father, Lorenzo, who himself was a painter and perhaps related to the architect Sebastiano Guala. Pier Francesco Guala died in Milan on 27 February 1757.

Pier Francesco Guala Portrait of a noblewoman painting


Portrait of a noblewoman
Portrait of a noblewoman
Painting ID::  80219
  18th century Oil on canvas 88 x 70 cm (34.6 x 27.6 in) cjr
  18th century Oil on canvas 88 x 70 cm (34.6 x 27.6 in) cjr

 

 
   
      

Pier Francesco Guala
(15 September 1698 - 27 February 1757), also known as Pierfrancesco and Pietro Francesco, was an eighteenth-century Italian painter active for the most part in the region of his place of birth, Casale Monferrato. Guala was the seventh of eight siblings of whom only he and a sister survived infancy. His mother died when he was five and he was brought up by his father, Lorenzo, who himself was a painter and perhaps related to the architect Sebastiano Guala. Pier Francesco Guala died in Milan on 27 February 1757.
Portrait of a noblewoman
18th century Oil on canvas 88 x 70 cm (34.6 x 27.6 in) cjr

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