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Baron Jean-Baptiste Regnault

Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte painting


Socrate arrachant Alcibiade du sein de la Volupte
Socrate arrachant Alcibiade du sein de la Volupte
Painting ID::  81313
   Oil on canvas, 1791. H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
  Oil on canvas, 1791. H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr

 
 
   
      

Baron Jean-Baptiste Regnault

Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte painting


Socrate arrachant Alcibiade du sein de la Volupte
Socrate arrachant Alcibiade du sein de la Volupte
Painting ID::  81647
   Socrate arrachant Alcibiade du sein de la Voluptx (Socrates Tears Alcibiades from the Embrace of Sensual Pleasure). Oil on canvas, 1791. Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
  Socrate arrachant Alcibiade du sein de la Voluptx (Socrates Tears Alcibiades from the Embrace of Sensual Pleasure). Oil on canvas, 1791. Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr

 
 
   
      

Baron Jean-Baptiste Regnault

Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte painting


Socrate arrachant Alcibiade du sein de la Volupte
Socrate arrachant Alcibiade du sein de la Volupte
Painting ID::  82552
   Oil on canvas, 1791. Date Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
  Oil on canvas, 1791. Date Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr

 
 
   
      
Baron Jean-Baptiste Regnault
Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
Socrate arrachant Alcibiade du sein de la Volupte
Oil on canvas, 1791. Date Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.) cjr
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