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Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
Henri Fantin-Latour Immortality painting


Immortality
Immortality
Painting ID::  81057
   Date 1889(1889) Medium Oil on canvas Dimensions 116.2 x 87.3 cm (45.7 x 34.4 in) cjr
  Date 1889(1889) Medium Oil on canvas Dimensions 116.2 x 87.3 cm (45.7 x 34.4 in) cjr

 
 
   
      

Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
Henri Fantin-Latour Immortality painting


Immortality
Immortality
Painting ID::  85087
   1889(1889) Medium Oil on canvas Dimensions 116.2 x 87.3 cm (45.7 x 34.4 in) cyf
  1889(1889) Medium Oil on canvas Dimensions 116.2 x 87.3 cm (45.7 x 34.4 in) cyf

 
 
   
      
Henri Fantin-Latour
French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
Immortality
1889(1889) Medium Oil on canvas Dimensions 116.2 x 87.3 cm (45.7 x 34.4 in) cyf
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