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Rembrandt van rijn

1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.
Rembrandt van rijn Portrait of a man. painting


Portrait of a man.
Portrait of a man.
Painting ID::  71829
   1632(1632) Oil on oak panel 63.5 x 47.3 cm (25 x 18.62 in)
  1632(1632) Oil on oak panel 63.5 x 47.3 cm (25 x 18.62 in)

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Portrait of a Man. painting


Portrait of a Man.
Portrait of a Man.
Painting ID::  83238
   Date ca. 1660(1660) Medium Oil on panel Dimensions Height: 31.8 cm (12.5 in). Width: 25.5 cm (10 in). cjr
  Date ca. 1660(1660) Medium Oil on panel Dimensions Height: 31.8 cm (12.5 in). Width: 25.5 cm (10 in). cjr

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Portrait of a Man. painting


Portrait of a Man.
Portrait of a Man.
Painting ID::  86468
   Date 1630(1630) Medium Oil on canvas Dimensions Height: 116.1 cm (45.7 in). Width: 90.1 cm (35.5 in). cjr
  Date 1630(1630) Medium Oil on canvas Dimensions Height: 116.1 cm (45.7 in). Width: 90.1 cm (35.5 in). cjr

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Portrait of a Man. painting


Portrait of a Man.
Portrait of a Man.
Painting ID::  92476
   between 1660(1660) and 1666(1666) Medium oil on canvas Dimensions Height: 85.8 cm (33.8 in). Width: 66.9 cm (26.3 in). cjr
  between 1660(1660) and 1666(1666) Medium oil on canvas Dimensions Height: 85.8 cm (33.8 in). Width: 66.9 cm (26.3 in). cjr

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Portrait of a Man. painting


Portrait of a Man.
Portrait of a Man.
Painting ID::  92808
   1622(1622) Medium oil on canvas mounted on panel Dimensions 107 X 85 cm (42.1 X 33.5 in) cjr
  1622(1622) Medium oil on canvas mounted on panel Dimensions 107 X 85 cm (42.1 X 33.5 in) cjr

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Portrait of a Man. painting


Portrait of a Man.
Portrait of a Man.
Painting ID::  92864
   c. 1650-1652 Medium oil on canvas Dimensions 108 X 79.5 cm (42.5 X 31.3 in) cjr
  c. 1650-1652 Medium oil on canvas Dimensions 108 X 79.5 cm (42.5 X 31.3 in) cjr

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Portrait of a Man. painting


Portrait of a Man.
Portrait of a Man.
Painting ID::  93205
   c. 1634(1634) Medium oil on panel Dimensions 24.7 X 19.5 cm (9.7 X 7.7 in) cjr
  c. 1634(1634) Medium oil on panel Dimensions 24.7 X 19.5 cm (9.7 X 7.7 in) cjr

 
 
   
      
Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Portrait of a Man.
c. 1634(1634) Medium oil on panel Dimensions 24.7 X 19.5 cm (9.7 X 7.7 in) cjr
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