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SALVIATI, Cecchino del

Italian painter, Florentine school (b. 1510, Firenze, d. 1563, Roma).
SALVIATI, Cecchino del The Visitation af painting


The Visitation af
The Visitation af
Painting ID::  9045
   1538 Fresco Oratory of S. Giovanni Decollato, Rome
  1538 Fresco Oratory of S. Giovanni Decollato, Rome

 
 
   
      

PUGET, Pierre

French Baroque Era Sculptor, 1620-1694 French sculptor, painter, draughtsman and architect. Puget was one of the outstanding artists of his century, but his style, formed by the Italian Baroque, did not however always find favour in the classicizing atmosphere of the French court, where Jean-Baptiste Colbert would describe him in 1670 as 'a man who goes a little too fast, and whose imagination is a little too heated'. Although the son of a master mason, Simon Puget (d 1623), Puget was largely self-taught, as were his brother Gaspard Puget (1615-after 1683), an architect, and his son Fran?ois Puget (1651-1707), a painter. Apprenticed in 1634 to a wood-carver, Jean Roman, in Marseille, he left in 1638 for Italy, spending some years in Florence and Rome close to Pietro da Cortona, presumably as a stuccoist and painter, although his part in the decoration of the Palazzo Pitti, Florence, Cortona's main project of these years, is not clear. From 1643 he practised sculpture and painting at the Toulon Arsenal, France's largest naval shipyard, where he was appointed to the wood-carving workshop: around 1645, for instance, he designed and supervised the decoration of the ship Le Magnifique (in 1646 renamed La Reine; destr.). According to some sources, in 1646 he made a second journey to Italy,
PUGET, Pierre The Visitation af painting


The Visitation af
The Visitation af
Painting ID::  8691
   1659 Oil on canvas, 252,5 x 173,5 cm Mus??e Granet, Aix-en-Provence
  1659 Oil on canvas, 252,5 x 173,5 cm Mus??e Granet, Aix-en-Provence

 
 
   
      
PUGET, Pierre
French Baroque Era Sculptor, 1620-1694 French sculptor, painter, draughtsman and architect. Puget was one of the outstanding artists of his century, but his style, formed by the Italian Baroque, did not however always find favour in the classicizing atmosphere of the French court, where Jean-Baptiste Colbert would describe him in 1670 as 'a man who goes a little too fast, and whose imagination is a little too heated'. Although the son of a master mason, Simon Puget (d 1623), Puget was largely self-taught, as were his brother Gaspard Puget (1615-after 1683), an architect, and his son Fran?ois Puget (1651-1707), a painter. Apprenticed in 1634 to a wood-carver, Jean Roman, in Marseille, he left in 1638 for Italy, spending some years in Florence and Rome close to Pietro da Cortona, presumably as a stuccoist and painter, although his part in the decoration of the Palazzo Pitti, Florence, Cortona's main project of these years, is not clear. From 1643 he practised sculpture and painting at the Toulon Arsenal, France's largest naval shipyard, where he was appointed to the wood-carving workshop: around 1645, for instance, he designed and supervised the decoration of the ship Le Magnifique (in 1646 renamed La Reine; destr.). According to some sources, in 1646 he made a second journey to Italy,
The Visitation af
1659 Oil on canvas, 252,5 x 173,5 cm Mus??e Granet, Aix-en-Provence
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| Self-Portrait (nn04) | Triptych | Stilleben mit Brioche | Portrait of a Lady in Blue 5 | L Atelier Rouge |

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