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Edmund Blair Leighton

1853-1922 British Leighton was the son of the artist Charles Blair Leighton. He was educated at University College School, before becoming a student at the Royal Academy Schools. He married Katherine Nash in 1885 and they went on to have a son and daughter. He exhibited annually at the Royal Academy from 1878 to 1920. Leighton was a fastidious craftsman, producing highly-finished, decorative pictures. It would appear that he left no diaries, and though he exhibited at the Royal Academy for over forty years, he was never an Academician or an Associate.
Edmund Blair Leighton In time of Peril painting


In time of Peril
In time of Peril
Painting ID::  84384
   Oil on canvas. Mackelvie Trust Collection, Auckland Art Gallery Toi o Tamaki Date 1897(1897) cjr
  Oil on canvas. Mackelvie Trust Collection, Auckland Art Gallery Toi o Tamaki Date 1897(1897) cjr

 
 
   
      

Edmund Blair Leighton

1853-1922 British Leighton was the son of the artist Charles Blair Leighton. He was educated at University College School, before becoming a student at the Royal Academy Schools. He married Katherine Nash in 1885 and they went on to have a son and daughter. He exhibited annually at the Royal Academy from 1878 to 1920. Leighton was a fastidious craftsman, producing highly-finished, decorative pictures. It would appear that he left no diaries, and though he exhibited at the Royal Academy for over forty years, he was never an Academician or an Associate.
Edmund Blair Leighton In time of Peril painting


In time of Peril
In time of Peril
Painting ID::  88257
   Oil on canvas. Mackelvie Trust Collection, Auckland Art Gallery Toi o Tamaki Date 1897 cyf
  Oil on canvas. Mackelvie Trust Collection, Auckland Art Gallery Toi o Tamaki Date 1897 cyf

 
 
   
      
Edmund Blair Leighton
1853-1922 British Leighton was the son of the artist Charles Blair Leighton. He was educated at University College School, before becoming a student at the Royal Academy Schools. He married Katherine Nash in 1885 and they went on to have a son and daughter. He exhibited annually at the Royal Academy from 1878 to 1920. Leighton was a fastidious craftsman, producing highly-finished, decorative pictures. It would appear that he left no diaries, and though he exhibited at the Royal Academy for over forty years, he was never an Academician or an Associate.
In time of Peril
Oil on canvas. Mackelvie Trust Collection, Auckland Art Gallery Toi o Tamaki Date 1897 cyf
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