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Grigoriy Soroka

(Russian, real surname Vasilyev. November 27 [O.S. November 15] 1823-April 22 [O.S. April 10] 1864) was a Russian painter, one of the most notable members of Venetsianov school. Soroka was born in Pokrovskoye village (Tver Guberniya), in the family of landowner Milyukov. In 1842-1847 he studied art from Alexey Venetsianov then he was returned to his owner. In 1850s-1860s he resided in his home village. He fell in love with his owners's daughter Lydia but was forcibly married to a serf woman. After the emancipation reform of 1861 in Russia, Soroka remained under the serfdom system. He made a formal complaint but it was rejected and he was flogged. Soroka's body was found in the baking room where he had hanged himself. His beloved Lydia poisoned herself soon after.

Grigoriy Soroka Peasant boy painting


Peasant boy
Peasant boy
Painting ID::  88534
  1840(1840) Medium Oil on canvas Dimensions 33.5 x 25 cm (13.2 x 9.8 in) cjr
  1840(1840) Medium Oil on canvas Dimensions 33.5 x 25 cm (13.2 x 9.8 in) cjr

 

 
   
      

Grigoriy Soroka
(Russian, real surname Vasilyev. November 27 [O.S. November 15] 1823-April 22 [O.S. April 10] 1864) was a Russian painter, one of the most notable members of Venetsianov school. Soroka was born in Pokrovskoye village (Tver Guberniya), in the family of landowner Milyukov. In 1842-1847 he studied art from Alexey Venetsianov then he was returned to his owner. In 1850s-1860s he resided in his home village. He fell in love with his owners's daughter Lydia but was forcibly married to a serf woman. After the emancipation reform of 1861 in Russia, Soroka remained under the serfdom system. He made a formal complaint but it was rejected and he was flogged. Soroka's body was found in the baking room where he had hanged himself. His beloved Lydia poisoned herself soon after.
Peasant boy
1840(1840) Medium Oil on canvas Dimensions 33.5 x 25 cm (13.2 x 9.8 in) cjr

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| Portrait of Charles III of Spain | The Fall of the Cowboy | A Rose and a Back Etching | The Death of Socrates | Evening in Antiquity |


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