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BELLINI, Giovanni

Italian High Renaissance Painter, ca.1430-1516 Giovanni Bellini (c. 1430 ?C 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.
BELLINI, Giovanni Madonna with the Child painting


Madonna with the Child
Madonna with the Child
Painting ID::  5039
   1460-64 Oil on canvas transferred from wood, 52 x 42,5 cm Museo Correr, Venice
  1460-64 Oil on canvas transferred from wood, 52 x 42,5 cm Museo Correr, Venice

 
 
   
      

Gentile da Fabriano

Fabriano ca 1370-Rome 1427 Italian painter, one of the outstanding exponents of the elegant international Gothic style. In 1409 he worked in the Doge's Palace, Venice, painting historical frescoes that subsequently perished. In 1422 he was in Florence where he created his most celebrated painting, the resplendent Strozzi altarpiece (Uffizi). Gentile painted in the spirit and the manner of the older school, with glowing color and lavish use of gilt, thereby achieving a jewellike, courtly style. By 1425 he had responded to the new Florentine realism. His refined forms yielded to a sturdier rendering of figures in the Quaratesi altarpiece (panels are now in the Uffizi; Vatican; National Gall., London; and National Gall. of Art, Washington, D.C.). From 1425 until his death he worked in Siena, Orvieto, and Rome. Gentile died in Rome before the completion of the frescoes of St. John the Baptist in the Lateran Basilica.
Gentile da Fabriano Madonna with the Child painting


Madonna with the Child
Madonna with the Child
Painting ID::  31291
   1425 Fresco Duomo, Orvieto
  1425 Fresco Duomo, Orvieto

 
 
   
      

MORALES, Luis de

Spanish Mannerist Painter, ca.1520-1586 Spanish painter. The origins of his highly individual style are complex. His meticulous technique and the prominent echoes of the style and forms of Leonardo da Vinci and Raphael indicate the formative influence of Italianizing Flemish painters. This accords with Palomino's statement that Morales was trained in Seville by the Flemish Mannerist painter Peeter de Kempeneer (known in Spain as Pedro de Campara), who is recorded in Spain from 1537. It has been suggested that Morales visited Italy c. 1540, but this seems most unlikely.
MORALES, Luis de Madonna with the Child painting


Madonna with the Child
Madonna with the Child
Painting ID::  86036
   1570s Medium Oil on wood cyf
  1570s Medium Oil on wood cyf

 
 
   
      

Giovanni Bellini

Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
Giovanni Bellini Madonna with the Child painting


Madonna with the Child
Madonna with the Child
Painting ID::  86644
   Date between 1460(1460) and 1464(1464) Medium Oil on canvas transferred from wood Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in). cjr
  Date between 1460(1460) and 1464(1464) Medium Oil on canvas transferred from wood Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in). cjr

 
 
   
      

Giovanni Bellini

Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
Giovanni Bellini Madonna with the Child painting


Madonna with the Child
Madonna with the Child
Painting ID::  90596
   between 1460(1460) and 1464(1464) Medium Oil on canvas transferred from wood Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in). cyf
  between 1460(1460) and 1464(1464) Medium Oil on canvas transferred from wood Dimensions Height: 52 cm (20.5 in). Width: 43 cm (16.9 in). cyf

 
 
   
      

Luis de Morales

(1510 - 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion. Influenced, especially in his early work, by Raphael Sanzio and the Lombard school of Leonardo, he was called by his contemporaries "The Divine Morales", because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work. His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish renaissance painters
Luis de Morales Madonna with the Child painting


Madonna with the Child
Madonna with the Child
Painting ID::  96673
   1570s Medium oil on panel cyf
  1570s Medium oil on panel cyf

 
 
   
      

MASTER of Female Half-length

Dutch painter (active 1530-1540)
MASTER of Female Half-length Madonna with the Child painting


Madonna with the Child
Madonna with the Child
Painting ID::  98012
   between 1433(1433) and 1435(1435) Medium tempera and oil on panel cyf
  between 1433(1433) and 1435(1435) Medium tempera and oil on panel cyf

 
 
   
      
MASTER of Female Half-length
Dutch painter (active 1530-1540)
Madonna with the Child
between 1433(1433) and 1435(1435) Medium tempera and oil on panel cyf
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