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Frederic Edwin Church

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
Frederic Edwin Church Tropical Landscape painting


Tropical Landscape
Tropical Landscape
Painting ID::  10699
   1873Oil on paper 9.75 x 14.74 in.
  1873Oil on paper 9.75 x 14.74 in.

 
 
   
      

Frederic Edwin Church

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
Frederic Edwin Church Tropical Landscape painting


Tropical Landscape
Tropical Landscape
Painting ID::  86907
   Date c. 1855(1855) Medium Oil on canvas Dimensions 28 x 41.3 cm (11 x 16.3 in) cjr
  Date c. 1855(1855) Medium Oil on canvas Dimensions 28 x 41.3 cm (11 x 16.3 in) cjr

 
 
   
      

Albert Bierstadt

German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
Albert Bierstadt Tropical Landscape painting


Tropical Landscape
Tropical Landscape
Painting ID::  90722
   Oil on academy board Dimensions 34.93 x 48.9 cm (13.8 x 19.3 in) cyf
  Oil on academy board Dimensions 34.93 x 48.9 cm (13.8 x 19.3 in) cyf

 
 
   
      

Frederic Edwin Church

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
Frederic Edwin Church Tropical Landscape painting


Tropical Landscape
Tropical Landscape
Painting ID::  91685
   1855(1855) Medium oil on canvas Dimensions 28 X 41.3 cm (11 X 16.3 in) cyf
  1855(1855) Medium oil on canvas Dimensions 28 X 41.3 cm (11 X 16.3 in) cyf

 
 
   
      
Frederic Edwin Church
American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
Tropical Landscape
1855(1855) Medium oil on canvas Dimensions 28 X 41.3 cm (11 X 16.3 in) cyf
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