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Sandro Botticelli

Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
Sandro Botticelli Bardi Altarpiece painting


Bardi Altarpiece
Bardi Altarpiece
Painting ID::  26987
   Detail of the Virgin represented as "Madonna del latte" and of vase with the icon of the Crucifixion.Berlin,Staatliche Museen,Gemaldegalerie (mk57)
  Detail of the Virgin represented as "Madonna del latte" and of vase with the icon of the Crucifixion.Berlin,Staatliche Museen,Gemaldegalerie (mk57)

 
 
   
      

PARMIGIANINO

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
PARMIGIANINO Bardi Altarpiece painting


Bardi Altarpiece
Bardi Altarpiece
Painting ID::  94743
   1521 Type Tempera on panel Dimensions 203 cm x 130 cm (80 in x 51 in) cyf
  1521 Type Tempera on panel Dimensions 203 cm x 130 cm (80 in x 51 in) cyf

 
 
   
      
PARMIGIANINO
Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
Bardi Altarpiece
1521 Type Tempera on panel Dimensions 203 cm x 130 cm (80 in x 51 in) cyf
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