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ARTIST: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Art Work: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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Moran, Thomas

American Hudson River School Painter, 1837-1926 American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings

A Pastoral Landscape
A Pastoral Landscape
Painting ID:: 19525

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1889 Oil on canvas Flint Institute of Arts, Flint, MI.
1889 Oil on canvas Flint Institute of Arts, Flint, MI.

Jan Siberechts

Belgian 1627-1703 Jan Siberechts (1627 ?C 1703) was a Flemish Baroque landscape painter. He was born in Antwerp, the son of a sculptor with the same name. After establishing himself as an artist in Flanders, he moved to England during his forties. He died in London

A Pastoral Landscape
A Pastoral Landscape
Painting ID:: 72116

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A Pastoral Landscape). Oil on Canvas. signed and dated. 26 x 29 in (60.6 x 73.2 cm). 1684(1684)
A Pastoral Landscape). Oil on Canvas. signed and dated. 26 x 29 in (60.6 x 73.2 cm). 1684(1684)

Jan Siberechts

A Pastoral Landscape
A Pastoral Landscape
Painting ID:: 73690

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Oil on Canvas. signed and dated. 26 x 29 in (60.6 x 73.2 cm). Date 1684(1684) cyf
Oil on Canvas. signed and dated. 26 x 29 in (60.6 x 73.2 cm). Date 1684(1684) cyf

Johan Barthold Jongkind

Dutch Impressionist Painter, 1819-1891 was a Dutch painter and printmaker regarded as a forerunner of Impressionism who influenced Claude Monet. Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague, in 1846 he moved to the Montmartre quarter of Paris, France where he studied under Eugene Isabey and Francois-Edouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Emile Zola. Jongkind was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he befriended the young Claude Monet who later referred to Jongkind as the "master." The following year Jongkind exhibited at the first Salon des Refus's. Despite several successes, in another of his down periods the Impressionist group did not accept his work for their first exhibition in 1874.

A pastoral landscape
A pastoral landscape
Painting ID:: 97799

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1873(1873) Medium oil on canvas Dimensions 42 x 53.3 cm cyf
1873(1873) Medium oil on canvas Dimensions 42 x 53.3 cm cyf

Johan Barthold Jongkind
Dutch Impressionist Painter, 1819-1891 was a Dutch painter and printmaker regarded as a forerunner of Impressionism who influenced Claude Monet. Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague, in 1846 he moved to the Montmartre quarter of Paris, France where he studied under Eugene Isabey and Francois-Edouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Emile Zola. Jongkind was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he befriended the young Claude Monet who later referred to Jongkind as the "master." The following year Jongkind exhibited at the first Salon des Refus's. Despite several successes, in another of his down periods the Impressionist group did not accept his work for their first exhibition in 1874.
A pastoral landscape
1873(1873) Medium oil on canvas Dimensions 42 x 53.3 cm cyf

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