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LIPPI, Filippino

Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
LIPPI, Filippino Adoration of the Child sg painting


Adoration of the Child sg
Adoration of the Child sg
Painting ID::  7941
   1480-83 Tempera on copper plate, diameter: 83 cm The Hermitage, St. Petersburg
  1480-83 Tempera on copper plate, diameter: 83 cm The Hermitage, St. Petersburg

 
 
   
      

LIPPI, Filippino

Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
LIPPI, Filippino Adoration of the Child sg painting


Adoration of the Child sg
Adoration of the Child sg
Painting ID::  7943
   c. 1483 Oil on wood, 96 x 71 cm Galleria degli Uffizi, Florence
  c. 1483 Oil on wood, 96 x 71 cm Galleria degli Uffizi, Florence

 
 
   
      
LIPPI, Filippino
Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
Adoration of the Child sg
c. 1483 Oil on wood, 96 x 71 cm Galleria degli Uffizi, Florence
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