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CRIVELLI, Carlo

Italian Early Renaissance Painter, ca.1430-1495 He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,
CRIVELLI, Carlo Annunciation with St Emidius fg painting


Annunciation with St Emidius fg
Annunciation with St Emidius fg
Painting ID::  6324
   1486 Oil on wood transferred to canvas, 207 x 146,5 cm National Gallery, London
  1486 Oil on wood transferred to canvas, 207 x 146,5 cm National Gallery, London

 
 
   
      
CRIVELLI, Carlo
Italian Early Renaissance Painter, ca.1430-1495 He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,
Annunciation with St Emidius fg
1486 Oil on wood transferred to canvas, 207 x 146,5 cm National Gallery, London
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| Sondagsafton i en dalastuga, | Elizabeth I and the three Goddesses (mk25) | A Street in Old Scarborough | The Soldiers of Christ (detail) | An Australian Native |

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