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Frederic Edwin Church

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
Frederic Edwin Church Cotopaxi painting


Cotopaxi
Cotopaxi
Painting ID::  10668
   Oil on canvas 19 x 14.5 in.
  Oil on canvas 19 x 14.5 in.

 
 
   
      

Frederic Edwin Church

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
Frederic Edwin Church Cotopaxi painting


Cotopaxi
Cotopaxi
Painting ID::  10675
   1855 Oil on canvas National Museum of American Art, Washington, DC 28 x 42.13 in.
  1855 Oil on canvas National Museum of American Art, Washington, DC 28 x 42.13 in.

 
 
   
      

Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
Frederic E.Church Cotopaxi painting


Cotopaxi
Cotopaxi
Painting ID::  26220
   mk48 1862 Oil on canvas 48x85in Founders Society Purchase,Robert H.Tannahill Foundation Fund,Gibbs-Williams Fund,Dexter M.Ferry,jr.Fund Merrill Fund,Beatrice W.Rogers Fund,and Richard A.Manoogian Fund
  mk48 1862 Oil on canvas 48x85in Founders Society Purchase,Robert H.Tannahill Foundation Fund,Gibbs-Williams Fund,Dexter M.Ferry,jr.Fund Merrill Fund,Beatrice W.Rogers Fund,and Richard A.Manoogian Fund

 
 
   
      

Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
Frederic E.Church Cotopaxi painting


Cotopaxi
Cotopaxi
Painting ID::  30933
   mk68 1855
  mk68 1855

 
 
   
      
Frederic E.Church
1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
Cotopaxi
mk68 1855
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