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BELLINI, Giovanni

Italian High Renaissance Painter, ca.1430-1516 Giovanni Bellini (c. 1430 ?C 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.

BELLINI, Giovanni Dead Christ Supported by the Madonna and St John (Pieta) painting


Dead Christ Supported by the Madonna and St John (Pieta)
Dead Christ Supported by the Madonna and St John (Pieta)
Painting ID::  5032
  1460 Tempera on panel, 86 x 107 cm Pinacoteca di Brera, Milan
  1460 Tempera on panel, 86 x 107 cm Pinacoteca di Brera, Milan

 

 
   
      

BELLINI, Giovanni
Italian High Renaissance Painter, ca.1430-1516 Giovanni Bellini (c. 1430 ?C 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.
Dead Christ Supported by the Madonna and St John (Pieta)
1460 Tempera on panel, 86 x 107 cm Pinacoteca di Brera, Milan

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Related Paintings to BELLINI, Giovanni :.
| Portrait of Madame de Pompadour | Miss Amelia Van Buren | Man in a Turban ds | Crucifixion with st dominic (mk05) | Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen |


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