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Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Festmabl of the officers of the St. Jorisdoelen in Haarlem painting


Festmabl of the officers of the St. Jorisdoelen in Haarlem
Festmabl of the officers of the St. Jorisdoelen in Haarlem
Painting ID::  45486
   mk186 1627 Haarlem, fringe-neck-museum
  mk186 1627 Haarlem, fringe-neck-museum

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Festmabl of the officers of the St. Jorisdoelen in Haarlem painting


Festmabl of the officers of the St. Jorisdoelen in Haarlem
Festmabl of the officers of the St. Jorisdoelen in Haarlem
Painting ID::  45513
   mk186 1616 Haarlem, fringe-neck-museum
  mk186 1616 Haarlem, fringe-neck-museum

 
 
   
      
Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Festmabl of the officers of the St. Jorisdoelen in Haarlem
mk186 1616 Haarlem, fringe-neck-museum
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