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BERCKHEYDE, Job Adriaensz

Dutch painter (b. 1630, Haarlem, d. 1693, Haarlem). He was apprenticed on 2 November 1644 to Jacob Willemsz. de Wet, whose influence is apparent in his first dated canvas, Christ Preaching to the Children (1661; Schwerin, Staatl. Mus.), one of the few biblical scenes in his oeuvre. On 10 June 1653 he repaid a loan from the Haarlem Guild of St Luke, which he subsequently joined on 10 March 1654. During his stay in Heidelberg, Job painted portraits and hunting scenes at the court of the Elector Palatine, who rewarded him with a gold chain, perhaps the one he wears in his early Self-portrait (c. 1655; Haarlem, Frans Halsmus.), his only documented work from the 1650s. Job is better known for his later work, which consists mainly of interior views of St Bavo's church in Haarlem and simple genre scenes recalling those of his Haarlem contemporaries Adriaen van Ostade and Jan Steen.
BERCKHEYDE, Job Adriaensz Interior of the St Bavo Church at Haarlem fs painting


Interior of the St Bavo Church at Haarlem fs
Interior of the St Bavo Church at Haarlem fs
Painting ID::  5157
   1665 Oil on oak, 61 x 85 cm Gemäldegalerie, Dresden
  1665 Oil on oak, 61 x 85 cm Gemäldegalerie, Dresden

 
 
   
      
BERCKHEYDE, Job Adriaensz
Dutch painter (b. 1630, Haarlem, d. 1693, Haarlem). He was apprenticed on 2 November 1644 to Jacob Willemsz. de Wet, whose influence is apparent in his first dated canvas, Christ Preaching to the Children (1661; Schwerin, Staatl. Mus.), one of the few biblical scenes in his oeuvre. On 10 June 1653 he repaid a loan from the Haarlem Guild of St Luke, which he subsequently joined on 10 March 1654. During his stay in Heidelberg, Job painted portraits and hunting scenes at the court of the Elector Palatine, who rewarded him with a gold chain, perhaps the one he wears in his early Self-portrait (c. 1655; Haarlem, Frans Halsmus.), his only documented work from the 1650s. Job is better known for his later work, which consists mainly of interior views of St Bavo's church in Haarlem and simple genre scenes recalling those of his Haarlem contemporaries Adriaen van Ostade and Jan Steen.
Interior of the St Bavo Church at Haarlem fs
1665 Oil on oak, 61 x 85 cm Gemäldegalerie, Dresden
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