Wholesale Oil Painting No Minimum



Prev       Next     
 
    

Jules Elie Delaunay

Nantes 1828 - Paris 1891. French Neoclassical Painter. Studied under Hippolyte Flandrin. French Neoclassical Painter. Studied under Hippolyte Flandrin. French painter. He entered the Ecole des Beaux-Arts in Paris on 7 April 1848, where he was a pupil of Joachim Sotta (1810-77), Hippolyte Flandrin and Louis Lamothe (1822-69). He became a disciple of Flandrin, and, though making his debut in the Salon in 1853 with the Saltworkers of Guerande (Nantes, Mus. B.-A.), he soon concentrated on history painting. In 1856 he won the Prix de Rome with the Return of the Young Tobias (Paris, Ecole N. Sup. B.-A.) and left Paris to study at the Academie de France in Rome. His work is imbued with a deep religious sentiment cast in the restrained, controlled style and formal repertoire of Neo-classicism. From early in his career he produced many easel and wall paintings on religious subjects, such as Jesus Healing the Lepers (1850; Le Croisic,). In 1854 he received a commission to produce four fresco decorations for the church of the monastery of the Visitation-Ste-Marie in Nantes, which he completed the following year. In 1865 he returned to the monastery to decorate the chapel of St-Francois de Sales with scenes from that saint's life.

Jules Elie Delaunay Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus ) painting


Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus )
Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus )
Painting ID::  10939
  Salon of 1878. 3' 5" x 2' 5 1/2" ( 104 x 75 cm ). Bequest of Mrs. Emile Straus, 1927.
  Salon of 1878. 3' 5" x 2' 5 1/2" ( 104 x 75 cm ). Bequest of Mrs. Emile Straus, 1927.

 

 
   
      

Jules Elie Delaunay
Nantes 1828 - Paris 1891. French Neoclassical Painter. Studied under Hippolyte Flandrin. French Neoclassical Painter. Studied under Hippolyte Flandrin. French painter. He entered the Ecole des Beaux-Arts in Paris on 7 April 1848, where he was a pupil of Joachim Sotta (1810-77), Hippolyte Flandrin and Louis Lamothe (1822-69). He became a disciple of Flandrin, and, though making his debut in the Salon in 1853 with the Saltworkers of Guerande (Nantes, Mus. B.-A.), he soon concentrated on history painting. In 1856 he won the Prix de Rome with the Return of the Young Tobias (Paris, Ecole N. Sup. B.-A.) and left Paris to study at the Academie de France in Rome. His work is imbued with a deep religious sentiment cast in the restrained, controlled style and formal repertoire of Neo-classicism. From early in his career he produced many easel and wall paintings on religious subjects, such as Jesus Healing the Lepers (1850; Le Croisic,). In 1854 he received a commission to produce four fresco decorations for the church of the monastery of the Visitation-Ste-Marie in Nantes, which he completed the following year. In 1865 he returned to the monastery to decorate the chapel of St-Francois de Sales with scenes from that saint's life.
Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus )
Salon of 1878. 3' 5" x 2' 5 1/2" ( 104 x 75 cm ). Bequest of Mrs. Emile Straus, 1927.

Prev       Next     

Related Paintings to Jules Elie Delaunay :.
| theory | Rom, Colosseum and the Roman Forum | An Experiment on a Bird in the Air Pump | Sforza Triptych | Wounded Man |


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings