Wholesale Oil Painting No Minimum |
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Frederic E.Church1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. |
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Palm Tres and Housetops,Ecuador
Palm Tres and Housetops,Ecuador Painting ID:: 26205 |
mk48
may 1857
Brush and oil paint,traces of graphite on thin paperboard
13 15/16x11 1/2in
Cooper-Hewitt,National Design Museum,Smithsonian Institusion,Gift of Louis P.Church
mk48 may 1857 Brush and oil paint,traces of graphite on thin paperboard 13 15/16x11 1/2in Cooper-Hewitt,National Design Museum,Smithsonian Institusion,Gift of Louis P.Church |
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Frederic E.Church 1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. Palm Tres and Housetops,Ecuador mk48 may 1857 Brush and oil paint,traces of graphite on thin paperboard 13 15/16x11 1/2in Cooper-Hewitt,National Design Museum,Smithsonian Institusion,Gift of Louis P.Church |
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