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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

Diego Velazquez Portrait d'un nain assis a Terre aupres d'une cruche (don Sebastian de Morra) (df02) painting


Portrait d'un nain assis a Terre aupres d'une cruche (don Sebastian de Morra) (df02)
Portrait d'un nain assis a Terre aupres d'une cruche (don Sebastian de Morra) (df02)
Painting ID::  22714
  c 1645 A Dwarf Sitting on the Floor by a Pitcher (Don Sebastian de Morra) Zwerg,neben einem Krug auf dem Boden sitzend (Don Sebastian de Morra) 106 x 84.5 cm
  c 1645 A Dwarf Sitting on the Floor by a Pitcher (Don Sebastian de Morra) Zwerg,neben einem Krug auf dem Boden sitzend (Don Sebastian de Morra) 106 x 84.5 cm

 

 
   
      

Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Portrait d'un nain assis a Terre aupres d'une cruche (don Sebastian de Morra) (df02)
c 1645 A Dwarf Sitting on the Floor by a Pitcher (Don Sebastian de Morra) Zwerg,neben einem Krug auf dem Boden sitzend (Don Sebastian de Morra) 106 x 84.5 cm

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