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unknow artist Portrait of Charles Edward Stuart painting


Portrait of Charles Edward Stuart
Portrait of Charles Edward Stuart
Painting ID::  76786
   1738(1738) Oil on canvas 190.5 ?? 141 cm (75 ?? 55.5 in) cjr
  1738(1738) Oil on canvas 190.5 ?? 141 cm (75 ?? 55.5 in) cjr

 
 
   
      

Blanchet, Louis-Gabriel

French Painter, 1705-1772 French painter, active in Rome. He won second place in the Prix de Rome competition in 1727 and thereafter settled in Rome, where he enjoyed the patronage of Nicolas Vleughels, Director of the Acad?mie de France, and the Duc de Saint-Aignan (1684-1776), who at that time was French Ambassador to the Holy See. In 1752 Blanchet painted the Vision of Constantine (Paris, Louvre), a copy of Giulio Romano's fresco in the Sala di Costantino in the Vatican. He was, however, principally a portrait painter. His portrait of Tolozan de Montfort (1756; Lyon, Mus. B.-A.) is a fine example of his elegant, rather nervous style and his distinctive use of colour. In the same year Blanchet executed a portrait of the contemporary painter Johann Mandelberg (1730-86; Copenhagen, Kon. Dan. Kstakad.). Other surviving works of his include St Paul (signed and dated 1757; Avignon, Mus. Calvet) and his full-length portrait of P. P. Lesueur and E. Jacquier (1772; Nantes, Mus. B.-A.).
Blanchet, Louis-Gabriel Portrait of Charles Edward Stuart painting


Portrait of Charles Edward Stuart
Portrait of Charles Edward Stuart
Painting ID::  80125
   Date 1738(1738) Medium Oil on canvas Dimensions 190.5 x 141 cm (75 x 55.5 in) cyf
  Date 1738(1738) Medium Oil on canvas Dimensions 190.5 x 141 cm (75 x 55.5 in) cyf

 
 
   
      
Blanchet, Louis-Gabriel
French Painter, 1705-1772 French painter, active in Rome. He won second place in the Prix de Rome competition in 1727 and thereafter settled in Rome, where he enjoyed the patronage of Nicolas Vleughels, Director of the Acad?mie de France, and the Duc de Saint-Aignan (1684-1776), who at that time was French Ambassador to the Holy See. In 1752 Blanchet painted the Vision of Constantine (Paris, Louvre), a copy of Giulio Romano's fresco in the Sala di Costantino in the Vatican. He was, however, principally a portrait painter. His portrait of Tolozan de Montfort (1756; Lyon, Mus. B.-A.) is a fine example of his elegant, rather nervous style and his distinctive use of colour. In the same year Blanchet executed a portrait of the contemporary painter Johann Mandelberg (1730-86; Copenhagen, Kon. Dan. Kstakad.). Other surviving works of his include St Paul (signed and dated 1757; Avignon, Mus. Calvet) and his full-length portrait of P. P. Lesueur and E. Jacquier (1772; Nantes, Mus. B.-A.).
Portrait of Charles Edward Stuart
Date 1738(1738) Medium Oil on canvas Dimensions 190.5 x 141 cm (75 x 55.5 in) cyf
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