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unknow artist Portrait of a lady with a lapdog and pistol painting


Portrait of a lady with a lapdog and pistol
Portrait of a lady with a lapdog and pistol
Painting ID::  76533
   ca. 1660(1660) Oil on canvas 199 ?? 155 cm (78.3 ?? 61 in) cjr
  ca. 1660(1660) Oil on canvas 199 ?? 155 cm (78.3 ?? 61 in) cjr

 
 
   
      

Miranda, Juan Carreno de

Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
Miranda, Juan Carreno de Portrait of a lady with a lapdog and pistol painting


Portrait of a lady with a lapdog and pistol
Portrait of a lady with a lapdog and pistol
Painting ID::  78205
   ca. 1660(1660) Medium Oil on canvas Dimensions 199 x 155 cm (78.3 x 61 in) cyf
  ca. 1660(1660) Medium Oil on canvas Dimensions 199 x 155 cm (78.3 x 61 in) cyf

 
 
   
      
Miranda, Juan Carreno de
Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
Portrait of a lady with a lapdog and pistol
ca. 1660(1660) Medium Oil on canvas Dimensions 199 x 155 cm (78.3 x 61 in) cyf
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