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John Neagle

1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.

John Neagle Portrait of a man in coat painting


Portrait of a man in coat
Portrait of a man in coat
Painting ID::  84303
  Date 1840(1840) Medium Oil on canvas Dimensions 76.8 x 62.9 cm (30.2 x 24.8 in) cjr
  Date 1840(1840) Medium Oil on canvas Dimensions 76.8 x 62.9 cm (30.2 x 24.8 in) cjr

 

 
   
      

John Neagle

1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.

John Neagle Portrait of a man in coat painting


Portrait of a man in coat
Portrait of a man in coat
Painting ID::  88765
  1840(1840) Medium Oil on canvas Dimensions 76.8 x 62.9 cm (30.2 x 24.8 in) cyf
  1840(1840) Medium Oil on canvas Dimensions 76.8 x 62.9 cm (30.2 x 24.8 in) cyf

 

 
   
      

John Neagle
1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.
Portrait of a man in coat
1840(1840) Medium Oil on canvas Dimensions 76.8 x 62.9 cm (30.2 x 24.8 in) cyf

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| Interior of the church g | Dance Class at the Opera (mk09) | Portrat eines Jungen in Husarenuniform | Mon Portrait | The Bridge and Castel Sant'Angelo with the Cuploa of St. Peter's |


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