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unknow artist Portrait of an Unknown Woman in Russian Costume painting


Portrait of an Unknown Woman in Russian Costume
Portrait of an Unknown Woman in Russian Costume
Painting ID::  75734
   1784(1784) Oil on canvas 67 ?? 53.6 cm (26.4 ?? 21.1 in) cjr
  1784(1784) Oil on canvas 67 ?? 53.6 cm (26.4 ?? 21.1 in) cjr

 
 
   
      
unknow artist Portrait of an Unknown Woman in Russian Costume painting


Portrait of an Unknown Woman in Russian Costume
Portrait of an Unknown Woman in Russian Costume
Painting ID::  76781
   1784(1784) Oil on canvas 67 ?? 53.6 cm (26.4 ?? 21.1 in) cjr
  1784(1784) Oil on canvas 67 ?? 53.6 cm (26.4 ?? 21.1 in) cjr

 
 
   
      

Ivan Argunov

Russian Rococo Era Painter , 1727/1729-1802 Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
Ivan Argunov Portrait of an Unknown Woman in Russian Costume painting


Portrait of an Unknown Woman in Russian Costume
Portrait of an Unknown Woman in Russian Costume
Painting ID::  77511
   Date 1784(1784) Medium Oil on canvas Dimensions 67 ?? 53.6 cm (26.4 ?? 21.1 in) cyf
  Date 1784(1784) Medium Oil on canvas Dimensions 67 ?? 53.6 cm (26.4 ?? 21.1 in) cyf

 
 
   
      

Ivan Argunov

Russian Rococo Era Painter , 1727/1729-1802 Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
Ivan Argunov Portrait of an Unknown Woman in Russian Costume painting


Portrait of an Unknown Woman in Russian Costume
Portrait of an Unknown Woman in Russian Costume
Painting ID::  80247
   1784(1784) Medium Oil on canvas Dimensions 67 x 53.6 cm (26.4 x 21.1 in) cyf
  1784(1784) Medium Oil on canvas Dimensions 67 x 53.6 cm (26.4 x 21.1 in) cyf

 
 
   
      
Ivan Argunov
Russian Rococo Era Painter , 1727/1729-1802 Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
Portrait of an Unknown Woman in Russian Costume
1784(1784) Medium Oil on canvas Dimensions 67 x 53.6 cm (26.4 x 21.1 in) cyf
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