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unknow artist Salome mit dem Haupt Johannes des Taufers painting


Salome mit dem Haupt Johannes des Taufers
Salome mit dem Haupt Johannes des Taufers
Painting ID::  78313
   "Salome mit dem Haupt Johannes des Täufers". Öl auf Leinwand, 160 x 124,5 cm. Date ca. 1760(1760) cjr
  "Salome mit dem Haupt Johannes des Täufers". Öl auf Leinwand, 160 x 124,5 cm. Date ca. 1760(1760) cjr

 
 
   
      
unknow artist Salome mit dem Haupt Johannes des Taufers painting


Salome mit dem Haupt Johannes des Taufers
Salome mit dem Haupt Johannes des Taufers
Painting ID::  79833
   1600-1605 Oil on panel 94 x 71 cm cjr
  1600-1605 Oil on panel 94 x 71 cm cjr

 
 
   
      

TRAVERSI, Gaspare

Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749
TRAVERSI, Gaspare Salome mit dem Haupt Johannes des Taufers painting


Salome mit dem Haupt Johannes des Taufers
Salome mit dem Haupt Johannes des Taufers
Painting ID::  81572
   ca. 1760(1760) Medium Oil on canvas cyf
  ca. 1760(1760) Medium Oil on canvas cyf

 
 
   
      
TRAVERSI, Gaspare
Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749
Salome mit dem Haupt Johannes des Taufers
ca. 1760(1760) Medium Oil on canvas cyf
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