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Sir Thomas Lawrence

1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.

Sir Thomas Lawrence The Duke of Wellington mounted on Copenhagen as of Waterloo painting


The Duke of Wellington mounted on Copenhagen as of Waterloo
The Duke of Wellington mounted on Copenhagen as of Waterloo
Painting ID::  72274
  The Duke of Wellington mounted on Copenhagen as of Waterloo Painted in 1818 by Sir Thomas Lawrence Private Collection Earl Barthurst Oil on canvas, 396.2 X 243.8 cm cjr
  The Duke of Wellington mounted on Copenhagen as of Waterloo Painted in 1818 by Sir Thomas Lawrence Private Collection Earl Barthurst Oil on canvas, 396.2 X 243.8 cm cjr

 

 
   
      

Sir Thomas Lawrence
1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.
The Duke of Wellington mounted on Copenhagen as of Waterloo
The Duke of Wellington mounted on Copenhagen as of Waterloo Painted in 1818 by Sir Thomas Lawrence Private Collection Earl Barthurst Oil on canvas, 396.2 X 243.8 cm cjr

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