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Carl Gustav Carus

German Romantic Painter, 1789-1869 German painter and draughtsman. As well as being an artist, he achieved considerable success as a doctor, a naturalist, a scientist and a psychologist. As an artist, he was concerned almost exclusively with landscape painting, although he never practised it professionally. While still at school in Leipzig, he had drawing lessons from Julius Diez; he subsequently studied under Johann Veit Schnorr von Carolsfeld (1764-1841) at the Oeser drawing academy. From 1813 he taught himself oil painting, copying after the Dresden landscape painter Johann Christian Klengel, whom he visited in his studio. In 1811 after six years at university he graduated as a doctor of medicine and a doctor of philosophy.

Carl Gustav Carus The Goethe Monument (mk45) painting


The Goethe Monument (mk45)
The Goethe Monument (mk45)
Painting ID::  25944
  1832 Oil on canvas 71.5x53.5cm Hamburg,Hamburger Kunsthalle
  1832 Oil on canvas 71.5x53.5cm Hamburg,Hamburger Kunsthalle

 

 
   
      

Carl Gustav Carus
German Romantic Painter, 1789-1869 German painter and draughtsman. As well as being an artist, he achieved considerable success as a doctor, a naturalist, a scientist and a psychologist. As an artist, he was concerned almost exclusively with landscape painting, although he never practised it professionally. While still at school in Leipzig, he had drawing lessons from Julius Diez; he subsequently studied under Johann Veit Schnorr von Carolsfeld (1764-1841) at the Oeser drawing academy. From 1813 he taught himself oil painting, copying after the Dresden landscape painter Johann Christian Klengel, whom he visited in his studio. In 1811 after six years at university he graduated as a doctor of medicine and a doctor of philosophy.
The Goethe Monument (mk45)
1832 Oil on canvas 71.5x53.5cm Hamburg,Hamburger Kunsthalle

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Related Paintings to Carl Gustav Carus :.
| Ojibwe Wigwam at Grand Portage | Portrait of a Man at a Loggia | Men farming | Past and Present No 3 | Assumption of the Virgin,detail with the Assumption |


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