Wholesale Oil Painting No Minimum



Prev       Next     
 
    

william holman hunt,o.m.,r.w.s

1827-1910 English painter. He worked as an office clerk in London from 1839 to 1843, attending drawing classes at a mechanics' institute in the evenings and taking weekly lessons from the portrait painter Henry Rogers. Holman Hunt overcame parental opposition to his choice of career in 1843, and this determined attitude and dedication to art could be seen throughout his working life. In July 1844, at the third attempt, he entered the Royal Academy Schools. His earliest exhibited works, such as Little Nell and her Grandfather (exh. British Institution, 1846; Sheffield, Graves A.G.), reveal few traces of originality, but the reading of John Ruskin's Modern Painters in 1847 was of crucial importance to Holman Hunt's artistic development. It led him to abandon the ambitious Christ and the Two Marys (Adelaide, A.G. S. Australia) in early 1848, when he realized its traditional iconography would leave his contemporaries unmoved. His next major work, the Flight of Madeline and Porphyro during the Drunkenness Attending the Revelry (1848; London, Guildhall A.G.), from John Keats's 'Eve of St Agnes', though displaced into a medieval setting, dramatized an issue dear to contemporary poets and central to Holman Hunt's art: love and youthful idealism versus loyalty to one's family. His first mature painting, it focuses on a moment of psychological crisis in a cramped and shallow picture space.

william holman hunt,o.m.,r.w.s The Plain of Rephaim from Mount Zion (mk46) painting


The Plain of Rephaim from Mount Zion (mk46)
The Plain of Rephaim from Mount Zion (mk46)
Painting ID::  25993
  1855 Watercolour and bodycolour 35.6x50.8cm University fo Manchester,Whitworth Art Gallery
  1855 Watercolour and bodycolour 35.6x50.8cm University fo Manchester,Whitworth Art Gallery

 

 
   
      

william holman hunt,o.m.,r.w.s
1827-1910 English painter. He worked as an office clerk in London from 1839 to 1843, attending drawing classes at a mechanics' institute in the evenings and taking weekly lessons from the portrait painter Henry Rogers. Holman Hunt overcame parental opposition to his choice of career in 1843, and this determined attitude and dedication to art could be seen throughout his working life. In July 1844, at the third attempt, he entered the Royal Academy Schools. His earliest exhibited works, such as Little Nell and her Grandfather (exh. British Institution, 1846; Sheffield, Graves A.G.), reveal few traces of originality, but the reading of John Ruskin's Modern Painters in 1847 was of crucial importance to Holman Hunt's artistic development. It led him to abandon the ambitious Christ and the Two Marys (Adelaide, A.G. S. Australia) in early 1848, when he realized its traditional iconography would leave his contemporaries unmoved. His next major work, the Flight of Madeline and Porphyro during the Drunkenness Attending the Revelry (1848; London, Guildhall A.G.), from John Keats's 'Eve of St Agnes', though displaced into a medieval setting, dramatized an issue dear to contemporary poets and central to Holman Hunt's art: love and youthful idealism versus loyalty to one's family. His first mature painting, it focuses on a moment of psychological crisis in a cramped and shallow picture space.
The Plain of Rephaim from Mount Zion (mk46)
1855 Watercolour and bodycolour 35.6x50.8cm University fo Manchester,Whitworth Art Gallery

Prev       Next     

Related Paintings to william holman hunt,o.m.,r.w.s :.
| Saint Lucy | Called Henry,Prince of Wales | The Red Studio (mk35) | komstnarens hustru | Woman wearing the hat |


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings