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Aleksander Gierymski

Warsaw 1850-1901 Rome, Brother of Maks Gierymski. He studied (1867) at the Warsaw Drawing Class, then (1868-73) at the Akademie der Bildenden Kenste in Munich under Georg Hiltensperger (1806-90) and Alexander Strehuber (1814-82), and later under Karl Theodor von Piloty. While in Munich he contributed illustrations to Polish, German and Austrian magazines. On a visit to Venice and Verona in 1871 he was especially impressed by the work of 15th-century Venetian artists; this new enthusiasm was reflected in his prize-winning painting of a subject set by the Munich Akademie, a scene from Shakespeare's Merchant of Venice (1872; destr., see Starzynski, pl. 4). After accompanying his dying brother Maks to various spa towns and other locations, he settled in Rome in mid-1874. Two genre scenes from this period, Roman Tavern and A Game of Mora (both 1874; Warsaw, N. Mus.), show the influence of Dutch painting. Gierymski remained in Italy until 1879, mostly resident in Rome.

WidokNaWawel
WidokNaWawel
Painting ID:: 67307

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Description GlowackiJanNepomucen.WidokNaWawel.jpg Polski: Widok Wawelu od p??łnocnego zachodu, Staw na Groblach i przysta?? flisak??w na Wiśle naprzeciw Dębnik Oil on paper glued to canvas, 64.5x99.5 cm, PZS Wawel Date 1847 (?)
Description GlowackiJanNepomucen.WidokNaWawel.jpg Polski: Widok Wawelu od p??łnocnego zachodu, Staw na Groblach i przysta?? flisak??w na Wiśle naprzeciw Dębnik Oil on paper glued to canvas, 64.5x99.5 cm, PZS Wawel Date 1847 (?)

Aleksander Gierymski
Warsaw 1850-1901 Rome, Brother of Maks Gierymski. He studied (1867) at the Warsaw Drawing Class, then (1868-73) at the Akademie der Bildenden Kenste in Munich under Georg Hiltensperger (1806-90) and Alexander Strehuber (1814-82), and later under Karl Theodor von Piloty. While in Munich he contributed illustrations to Polish, German and Austrian magazines. On a visit to Venice and Verona in 1871 he was especially impressed by the work of 15th-century Venetian artists; this new enthusiasm was reflected in his prize-winning painting of a subject set by the Munich Akademie, a scene from Shakespeare's Merchant of Venice (1872; destr., see Starzynski, pl. 4). After accompanying his dying brother Maks to various spa towns and other locations, he settled in Rome in mid-1874. Two genre scenes from this period, Roman Tavern and A Game of Mora (both 1874; Warsaw, N. Mus.), show the influence of Dutch painting. Gierymski remained in Italy until 1879, mostly resident in Rome.
WidokNaWawel
Description GlowackiJanNepomucen.WidokNaWawel.jpg Polski: Widok Wawelu od p??łnocnego zachodu, Staw na Groblach i przysta?? flisak??w na Wiśle naprzeciw Dębnik Oil on paper glued to canvas, 64.5x99.5 cm, PZS Wawel Date 1847 (?)

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