All Domenichino Oil Paintings

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
 

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Domenichino The Assumption of Mary Magdalene into Heaven oil on canvas


The Assumption of Mary Magdalene into Heaven
The Assumption of Mary Magdalene into Heaven
Painting ID::  982
  1620 The Hermitage, St.Petersburg
  1620 The Hermitage, St.Petersburg

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  INS/CM       Quality

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Domenichino The Repose of Venus oil on canvas


The Repose of Venus
The Repose of Venus
Painting ID::  983
  The Hermitage, St.Petersburg
  The Hermitage, St.Petersburg

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Domenichino Landscape with Tobias Laying Hold of the Fish oil on canvas


Landscape with Tobias Laying Hold of the Fish
Landscape with Tobias Laying Hold of the Fish
Painting ID::  984
  1617-18 National Gallery, London
  1617-18 National Gallery, London

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Domenichino Portrait of Cardinal Agucchi oil on canvas


Portrait of Cardinal Agucchi
Portrait of Cardinal Agucchi
Painting ID::  985
  1605 Galleria degli Uffizi, Florence
  1605 Galleria degli Uffizi, Florence

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Domenichino The Maiden and the Unicorn oil on canvas


The Maiden and the Unicorn
The Maiden and the Unicorn
Painting ID::  986
  1602 Palazzo Famese, Rome
  1602 Palazzo Famese, Rome

Height    Width


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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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