Adriaen van ostade

Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards
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Adriaen van ostade Interior with a Peasant Family oil


Interior with a Peasant Family
Painting ID::  91952 		Interior with a Peasant Family
1647(1647) Medium oil on oak panel Dimensions Height: 43.1 cm (17 in). Width: 36.5 cm (14.4 in). cyf
   
   
     
Adriaen van ostade Die Fischverkauferin oil


Die Fischverkauferin
Painting ID::  92164 		Die Fischverkauferin
c. 1660-1670 Medium oil on oak panel Dimensions 29 X 26,5 cm cyf
   
   
     
Adriaen van ostade The quack. oil


The quack.
Painting ID::  92907 		The quack.
1648 Medium oil on oak panel Dimensions 27 X 22 cm (10.6 X 8.7 in) cjr
   
   
     
Adriaen van ostade Barber Extracting of Tooth. oil


Barber Extracting of Tooth.
Painting ID::  92909 		Barber Extracting of Tooth.
c. 1637(1637) Medium oil on oak panel Dimensions 34 X 41.3 cm (13.4 X 16.3 in) cjr
   
   
     
Adriaen van ostade The cottage dooryard. oil


The cottage dooryard.
Painting ID::  92924 		The cottage dooryard.
1673(1673) Medium oil on canvas Dimensions Height: 44 cm (17.3 in). Width: 39.5 cm (15.6 in). cjr
   
   
     
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     Adriaen van ostade
     Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards

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