Adrian Ludwig Richter

German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.


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Adrian Ludwig Richter Details of The Schreckenstein Crossing oil


Details of The Schreckenstein Crossing
Painting ID::  30318
Details of The Schreckenstein Crossing
nn05 Gentle music of a bygone age
nn05 Gentle_music_of_a_bygone_age
   
   
     

Adrian Ludwig Richter Details of The Schreckenstein Crossing oil


Details of The Schreckenstein Crossing
Painting ID::  30319
Details of The Schreckenstein Crossing
nn05 Flight from a loathsome world
nn05 Flight_from_a_loathsome_world
   
   
     

Adrian Ludwig Richter Details of The Schreckenstein Crossing oil


Details of The Schreckenstein Crossing
Painting ID::  30320
Details of The Schreckenstein Crossing
nn05 Native soli transfigured
nn05 Native_soli_transfigured
   
   
     

Adrian Ludwig Richter Details of The Schreckenstein Crossing oil


Details of The Schreckenstein Crossing
Painting ID::  30321
Details of The Schreckenstein Crossing
nn05 A state of bliss that made us silent
nn05 A_state_of_bliss_that_made_us_silent
   
   
     

Adrian Ludwig Richter Church at Graupen in Bohemia oil


Church at Graupen in Bohemia
Painting ID::  33909
Church at Graupen in Bohemia
mk87 1836 Oil on panel 56.7x70.2cm Hanover,Niedersachsische Landesgalerie
   
   
     

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     Adrian Ludwig Richter
     German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.

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