Aert de Gelder

Dutch 1645-1727 Dutch painter and draughtsman. He was the son of a wealthy Dordrecht family and probably became a pupil of Samuel van Hoogstraten in 1660. Apparently on the advice of van Hoogstraten, de Gelder moved to Amsterdam and entered Rembrandt workshop, possibly c. 1661. It is commonly assumed that he stayed there about two years. He was Rembrandt last pupil. After completing his apprenticeship, de Gelder returned to Dordrecht, where he worked for the rest of his long career. Considering that de Gelder was active for more than half a century, his output of just over 100 paintings seems low, probably because he was financially independent. Of those paintings accepted as by him, only 22 are dated, creating considerable problems in establishing a chronology.
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Aert de Gelder Esther and Mordechai writing oil


Esther and Mordechai writing
Painting ID::  87639 		Esther and Mordechai writing
Oil on canvas. Date 1685(1685) cyf
Oil_on_canvas._ Date_1685(1685) _ cyf
   
   
     
Aert de Gelder Selbstbildnis als Zeuxis oil


Selbstbildnis als Zeuxis
Painting ID::  87820 		Selbstbildnis als Zeuxis
1685(1685) Medium Oil on canvas Dimensions 142 x 169 cm (55.9 x 66.5 in) cyf
   
   
     
Aert de Gelder King David oil


King David
Painting ID::  88940 		King David
c. 1683 (1680-1685) Medium oil on canvas Dimensions 109.5 x 114.5 cm (43.1 x 45.1 in) cjr
   
   
     
Aert de Gelder Die Judenbraut oil


Die Judenbraut
Painting ID::  90414 		Die Judenbraut
1684 Medium oil on canvas Dimensions 139 x 163 cm (54.7 x 64.2 in) cyf
   
   
     
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     Aert de Gelder
     Dutch 1645-1727 Dutch painter and draughtsman. He was the son of a wealthy Dordrecht family and probably became a pupil of Samuel van Hoogstraten in 1660. Apparently on the advice of van Hoogstraten, de Gelder moved to Amsterdam and entered Rembrandt workshop, possibly c. 1661. It is commonly assumed that he stayed there about two years. He was Rembrandt last pupil. After completing his apprenticeship, de Gelder returned to Dordrecht, where he worked for the rest of his long career. Considering that de Gelder was active for more than half a century, his output of just over 100 paintings seems low, probably because he was financially independent. Of those paintings accepted as by him, only 22 are dated, creating considerable problems in establishing a chronology.

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