Andrea del Sarto

b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.


       Prev  31  32  33  34  35  36  37  38  39  40   Next
  Prev Artist       Next Artist     

   
    

Andrea del Sarto Virgin and Child in Glory with Six Saints oil


Virgin and Child in Glory with Six Saints
Painting ID::  76157
Virgin and Child in Glory with Six Saints
Date ca. 1528(1528) Medium Oil on wood cyf
Date_ca._1528(1528) _ Medium_Oil_on_wood _ cyf
   
   
     

Andrea del Sarto Madonna of the Harpies oil


Madonna of the Harpies
Painting ID::  76409
Madonna of the Harpies
Date 1517(1517) Medium Oil on panel cyf
Date_1517(1517) _ Medium_Oil_on_panel _ cyf
   
   
     

Andrea del Sarto Annunciation oil


Annunciation
Painting ID::  76466
Annunciation
Date ca. 1528(1528) Medium Oil on wood cyf
Date_ca._1528(1528) _ Medium_Oil_on_wood _ cyf
   
   
     

Andrea del Sarto The Annunciation oil


The Annunciation
Painting ID::  76490
The Annunciation
Date ca. 1528(1528) Medium Oil on wood cyf
Date_ca._1528(1528) _ Medium_Oil_on_wood _ cyf
   
   
     

Andrea del Sarto Holy Family oil


Holy Family
Painting ID::  76509
Holy Family
Date ca. 1529(1529) Medium Oil on wood cyf
Date_ca._1529(1529) _ Medium_Oil_on_wood _ cyf
   
   
     

       Prev  31  32  33  34  35  36  37  38  39  40   Next
Prev Artist       Next Artist     

     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings